The Wind Among the Reeds, by William Butler Yeats

The Wind Among the Reeds, by William Butler Yeats

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The Wind Among the Reeds, by William Butler Yeats

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Yeats was one of the leaders of the Irish literary renaissance that aimed at bringing to life the ancient Irish folklore, legends and traditions in new literary works. Any profits made from the sale of this book will go towards supporting the Freeriver Community project, a project that aims to support community and encourage well-being. To learn more about the Freeriver Community project please visit the website- www.freerivercommunity.com

The Wind Among the Reeds, by William Butler Yeats

• Amazon Sales Rank: #2701222 in Books
• Published on: 2015-11-04
• Original language: English
• Dimensions: 9.00" h x .9" w x 6.00" l,
• Binding: Paperback
• 38 pages

The Wind Among the Reeds, by William Butler Yeats

About the Author William Butler Yeats is generally considered to be Ireland s greatest poet, living or dead, and one of the most important literary figures of the twentieth century. He was awarded the Nobel Prize in Literature in 1923.

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7 of 8 people found the following review helpful. Symbolism in Need of an Image By Rod Zinkel The book is 60% poetry and 40% notes by Yeats, so it is a mix of verse and prose. It may be better to start with the notes as Yeats explains the Irish mythology he draws on and the symbols he uses. In the poetry Yeats repeats certain images too much, so that it seems repetitive. These images, already established as symbols, (e.g. the rose, dreams, sleep, the wind, hair), become rather ineffective as they immediately prompt symbolic or abstract thought. I no sooner read the image then question what it means. Poetry engages the reader first by its literal meaning, there is vitality in original imagery, which is lacking here. The one poem in this collection that does engage is "Aedh Tells of the Rose in His Heart," which I would rank as the best poem in the book. I also found "Valley of the Black Pig" interesting as Yeats writes of the mythological more than folklore, which is the subject and style of the other poems.

0 of 0 people found the following review helpful. If this doesn't do anything for you, nothing I say will. By Amazon Customer I went out to the hazel wood,Because a fire was in my head,And cut and peeled a hazel wand,And hooked a berry on a thread;And when white moths were on the wing,And moth-like stars were flickering out,I dropped the berry in a streamAnd caught a little silver trout.When I had laid it on the floorI went to blow the fire a-flameBut something rustled on the floor,And someone called me by my name:It had become a glimmering girlWith apple-blossom in her hairWho called me by my name and ranAnd faded through the brightening air.Though I am old with wanderingThrough hollow lands and hilly lands,I will find out where she has gone,And kiss her lips, and take her hands;And walk among long dappled grass,And pluck til time and times are done,The silver apples of the moon,The golden apples of the sun.

0 of 0 people found the following review helpful. Sorry, But The Answer Is Not Blowing In The Wind Here By propertius Many modern readers have approached Yeats backwards. They start with his later poems and work their way backward and I assume find that it becomes more intellectually or culturally challenging as the read his earliest works. In this collection, Yeats demands that the reader acquaints himself with Celtic lore and symbolism and if the reader does not, than this collection will be an infuriating experience.For the modern young reader who may be fascinated by mysticism, magical realism, cultures outside the classical European experience, he may find that acquainting himself with Celtic history before he reads the collection will be most a rewarding manner to approach this collection.Remember there were several decades between this collection and "Sailing To Byzantium."

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The Wind Among the Reeds, by William Butler Yeats

The Wind Among the Reeds, by William Butler Yeats

Mohammed and the Rise of Islam, by David Samuel Margoliouth

Mohammed and the Rise of Islam, by David Samuel Margoliouth

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Mohammed and the Rise of Islam, by David Samuel Margoliouth

• Published on: 2015-11-03
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x 1.25" w x 6.14" l, 2.18 pounds
• Binding: Hardcover
• 586 pages

Mohammed and the Rise of Islam, by David Samuel Margoliouth

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0 of 0 people found the following review helpful. Book review By Hondo Enjoyed the book very much. Learned a lot that I did not know. I will look for more books by this author.

0 of 0 people found the following review helpful. A must-read By Jeri L. Studebaker, author of *Breaking the Mother Goose Code* and *Switching to Goddess* Everyone should read this.

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Mohammed and the Rise of Islam, by David Samuel Margoliouth

Mohammed and the Rise of Islam, by David Samuel Margoliouth

Edith Wharton: Collected Stories Vol. 1 1891-1910 (Library of America), by Edith Wharton

Edith Wharton: Collected Stories Vol. 1 1891-1910 (Library of America), by Edith Wharton

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Edith Wharton: Collected Stories Vol. 1 1891-1910 (Library of America), by Edith Wharton

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Born into an upper-class New York family, Edith Wharton broke with convention and became a professional writer, earning an enduring place as the grande dame of American letters. This Library of America collection (along with its companion volume, Collected Stories: 1911–1937) presents the finest of Wharton's achievement in short fiction, drawn from the more than eighty stories she published over the course of her career. Opening with her first published story—the charming "Mrs. Manstey's View," about a disruption in the life of an elderly apartment-dweller—this first of two volumes presents a writer, already at the height of her powers, beginning to explore the concerns of a lifetime. In "Souls Belated," two lovers attempt to escape the consequences of their adultery—a subject to which Wharton returns throughout her career. In "The Mission of Jane" (about a remarkable adopted child) and "The Pelican" (about an itinerant lecturer), she discovers her gift for social and cultural satire. Perhaps the finest of her ghost stories, "The Eyes," with its Jamesian sense of evil, is also included, along with two novella-length works, "The Touchstone" and "Sanctuary," revealing the dazzling range of Wharton's fictive imagination. Also included in this edition are a chronology of Wharton's life, explanatory notes, and an essay on the texts.From the Hardcover edition.

Edith Wharton: Collected Stories Vol. 1 1891-1910 (Library of America), by Edith Wharton

• Amazon Sales Rank: #1448461 in eBooks
• Published on: 2015-11-10
• Released on: 2015-11-10
• Format: Kindle eBook

Edith Wharton: Collected Stories Vol. 1 1891-1910 (Library of America), by Edith Wharton

From Library Journal Arguably our greatest novelist of manners, Wharton (The House of Mirth) evoked the glittering heights and the decadent lows of New York society at the turn of the 20th century. However, it was with her short stories and her novellas that the author honed her technique and her sharp social satire. These two volumes offer a glimpse into Wharton's development as a writer and provide perfect companions to the Library of America's Edith Wharton: Novels (1986) and Edith Wharton: Novellas and Other Writings (1989). Volume 1 opens with her first published story, "Mrs. Manstey's View," and contains the novellas "The Touchstone" and "Sanctuary." These early stories include Wharton's characteristic social satire and her keen insights into sexual relationships. Volume 2 features the novellas "Roman Fever" and "Bunner Sisters," as well as several of her stories about World War I, including "The Marne" and "Writing a War Story." These stories capture Wharton's mastery at characterization and the maturity of her reflections on society. Novelist Howard (Grace Abounding) selected the contents and wrote the notes for each volume. These elegant editions provide a convenient collection of Wharton's stories. An essential purchase. Henry L. Carrigan Jr., Lancaster, PA Copyright 2001 Reed Business Information, Inc.

From the Publisher Edith Wharton's full and glamorous life bridged two continents and two centuries. Born into an upper-class New York family, she broke with convention and became a professional writer, earning an enduring place as the grande dame of American letters.

This collection presents the finest of Wharton's achievement in short fiction, drawn from the more than eighty stories she published over the course of her career. Here, in settings familiar and exotic, are all of Wharton's characteristic qualities and themes: her candid exploration of relations between the sexes; her satire, sometimes gentle, sometimes despairing, of social class and its distinctions; her keen-eyed observation of the minutiae of character; her unflinching recognition of the power of conventional morality and the limits of passion, tempered by her delightful sense of play.

Opening with her first published story--the charming "Mrs. Manstey's View," about a disruption in the life of an elderly apartment-dweller--this first of two volumes presents a writer, already at the height of her powers, beginning to explore the concerns of a lifetime. In "Souls Belated," two lovers attempt to escape the consequences of their adultery--a subject to which Wharton returns throughout her career. In "The Mission of Jane" (about a remarkable adopted child) and "The Pelican" (about an itinerant lecturer), she discovers her gift for social and cultural satire. Perhaps the finest of her ghost stories, "The Eyes," with its Jamesian sense of evil, is also included, along with two novella-length works, "The Touchstone" and "Sanctuary," revealing the dazzling range of Wharton's fictive imagination.

Also included in this edition are a chronology of Wharton's life, explanatory notes, and an essay on the texts.

Maureen Howard, editor of this volume, is the author of seven novels, including GRACE ABOUNDING, EXPENSIVE HABITS, NATURAL HISTORY, and A LOVER'S ALMANAC, and has taught at Columbia, Princeton, and Yale. She lives in New York City.

About the Author

Maureen Howard, the editor of this volume, is the author of nine novels, including Grace Abounding, Expensive Habits, and Natural History, all of which were nominated for the PEN/Faulkner Award. She has taught at a number of American universities, including Columbia, Princeton, Amherst, and Yale, and was recently awarded the Academy Award in Literature by the American Academy of Arts and Letters. She lives in New York City.

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0 of 0 people found the following review helpful. Best known now for two or three novels set in ... By Patricia A. Zak Wharton is both under- and over-rated and consistently misinterpreted as a sort of minor Henry James. Best known now for two or three novels set in Edwardian New York, she is a master of the short story. Many of those anthologized in this volume are gems, including some of the best ghost stories ever written by an American: The Lady's Maid's Bell, The Eyes, and Afterward. The real surprise is Wharton's devastating humor, often quite cynical, cropping out in comments embedded throughout the writing, and sometimes in entire stories, such as The Mission of Jane (which you won't find in standard anthologies). The writing is superb.

0 of 0 people found the following review helpful. Edith Wharton, a truly great writer By Constantine Evans Edith Wharton is a truly great writer. Why she isn't more widely recognized has more to do with academic cultural trends than critical sense.

0 of 0 people found the following review helpful. Five Stars By Bruce W. Moss Classics from one of America's greatest fiction writers.

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Edith Wharton: Collected Stories Vol. 1 1891-1910 (Library of America), by Edith Wharton

Edith Wharton: Collected Stories Vol. 1 1891-1910 (Library of America), by Edith Wharton

Edith Wharton: Collected Stories Vol. 1 1891-1910 (Library of America), by Edith Wharton

Edith Wharton: Collected Stories Vol. 1 1891-1910 (Library of America), by Edith Wharton

Seconds to Snap: One Explosive Day. A Family Destroyed. My Descent into Anorexia., by Tina McGuff

Seconds to Snap: One Explosive Day. A Family Destroyed. My Descent into Anorexia., by Tina McGuff

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Seconds to Snap: One Explosive Day. A Family Destroyed. My Descent into Anorexia., by Tina McGuff

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"I can tell you exactly the day it all went wrong—the day my mum attacked my dad with a kitchen knife. In those few, short seconds, a black hole opened up in my life and I fell right in." Tina McGuff’s life was perfect – or so she thought. Living in Dundee with her devoted parents and three younger sisters, she was a happy, healthy, and confident 13-year-old. But all that changed in one horrifying act of revenge, and Tina’s world collapsed overnight. Terrified, lost, and confused, she turned to the one thing she thought she could control—food. And so began the biggest fight of her life. Tina’s life-or-death struggle with anorexia is told with devastating honesty in this extraordinary account of a girl at war with herself. Through her years in and out of psychiatric wards, Tina takes us to some of the darkest places of the mind. But in the end her courage, conviction, and sheer determination win out. It took Tina seconds to snap and a lifetime to recover—but today, as a passionate campaigner for mental health, she is living proof that there is always a reason to hope that one day, things will get better.

Seconds to Snap: One Explosive Day. A Family Destroyed. My Descent into Anorexia., by Tina McGuff

• Amazon Sales Rank: #2850714 in Books
• Published on: 2015-09-15
• Original language: English
• Number of items: 1
• Dimensions: 7.80" h x .80" w x 5.00" l, .45 pounds
• Binding: Paperback
• 288 pages

Seconds to Snap: One Explosive Day. A Family Destroyed. My Descent into Anorexia., by Tina McGuff

About the Author Tina McGuff experienced a very violent event and descended into anorexia from 13 years old and almost lost her life. After a very successful 20 years, raising children, learning to fly, and promoting huge bands like Biffy Clyro and Snow Patrol, she is now an ardent mental health campaigner. Tina works full time in an accounts team and also guest lectures to student nurses regarding anorexia and psychosis. Katy Weitz is a ghostwriter and has been lucky enough to work with people including Josefina Rivera, Kathleen O'Shea, Tressa Middleton, Tina Davis, and Annabelle Forest. Before turning to books, Katy was a national newspaper journalist for 10 years.

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1 of 1 people found the following review helpful. Overcoming a Life of Adversity By Steven M. Anthony In the interest of full disclosure, I should relate that I am an internet acquaintance of the author, having met her through a travel website. She is a resident of Dundee and I have traveled to nearby St. Andrews. Since taking a golf trip a few years ago, I have maintained contact and conversed from time to time, well before publication of the subject book.It is absolutely stunning to me that the “squared away” person I know is the same person whose struggles are detailed in this first horrifying and then uplifting and inspirational account of her descent into anorexia. Depression and eating disorders are so far outside my frame of reference that it is difficult to speak on the subject. For me, Tina’s book puts a human face on this far too common debilitating disease. It highlights the effect of the disease on the loved ones of the sufferer. Unfortunately, anorexia is only a part of the struggles faced by Tina, first as a teenager and then a young adult. The events that triggered her eating disorder, the breakup of her family and descent into poverty, a nervous breakdown and the death of her beloved father only add to the list of obstacles she has faced to date. It is heartbreaking.Luckily, Tina was able to overcome these obstacles and lead not just a normal life, but a very successful one as a wife and mother. Her story should be an inspiration not only to those suffering from similar illnesses, but to their families, many of whom have likely lost hope that recovery is a possibility. In my case, it has brought to light how fortunate I have been not having faced even a tiny fraction of the adversity overcome by Tina.Tina is Scottish and she speaks with the colloquial terms of her native land. She also speaks of weight using stones (one stone=14 pounds), so some of the writing might not be familiar to an American audience, though if anything, it adds charm. The feelings expressed and the pain suffered, however, is universal.

0 of 0 people found the following review helpful. With this book Tina has given a great gift to the world By Amazon Customer With this book Tina has given a great gift to the world. Everyone needs to raise their awareness about mental illnesses so that the stigma can be overcome. This book can help us do that. Without it we are likely to have to learn about it in a much harder way, either through personal experience or the experience of loved ones and friends who deal with it. Besides the importance of the message Tina's story gives to us, it is a fantastic read. I read it in one day as I was so engulfed in it I couldn't put it down. Thanks Tina for sharing your amazing story with us.

0 of 0 people found the following review helpful. Resiliency of the Human Spirit By Tina Klaus This booked touched me deeply because of the honesty and authenticity in which Tina McGuff tells her story of trauma and the insidious grip that an eating disorder takes on, as it devours a persons life one day at a time. As someone who has suffered and struggled with an eating disorder the only way out is to face your demons and to feel the pain of your own life. This book captures this beautifully as it takes you along as one woman faces her traumatic, painful and healing journey head on. As a result, she shows everyone how resilient and bountiful the human spirit can be as it’s brought to its knees time and time again but in the end it’s possible to repair and put yourself back together to become whole again.And in her bravery to tell and share her story it gives everyone the permission to step into his or her own.

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Seconds to Snap: One Explosive Day. A Family Destroyed. My Descent into Anorexia., by Tina McGuff

Seconds to Snap: One Explosive Day. A Family Destroyed. My Descent into Anorexia., by Tina McGuff

Seconds to Snap: One Explosive Day. A Family Destroyed. My Descent into Anorexia., by Tina McGuff

Seconds to Snap: One Explosive Day. A Family Destroyed. My Descent into Anorexia., by Tina McGuff

The Iliad: Titan Classics (Illustrated), by Homer

The Iliad: Titan Classics (Illustrated), by Homer

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The Iliad: Titan Classics (Illustrated), by Homer

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The Iliad (sometimes referred to as the Song of Ilion or Song of Ilium) is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to the poet Homer. Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. The Iliad was a standard work of great importance already in Classical Greece and remained so throughout the Hellenistic and Byzantine periods. It made its return to Italy and Western Europe beginning in the 15th century, primarily through translations into Latin and the vernacular languages. This collection includes three different translations of the Iliad into English. Edward Smith-Stanley (Earl of Derby)’s translation is close to the original Greek and has been hailed as “superior to any that has yet been attempted in the blank verse”. Alexander Pope’s translation makes use of heroic couplets (poems constructed from a sequence of rhyming pairs of lines in iambic pentameter) and was praised as "a performance which no age or nation could hope to equal". But also criticized for it’s poetic liberties with the original Greek. Samuel Butler’s translation reshapes the original poem into prose. The prose translation sidesteps many of the problems encountered by translators trying to conform the archaic Greek meter to English and provides a highly readable text. The prose translation, however, loses any sense of the original’s oral poetry.

The Iliad: Titan Classics (Illustrated), by Homer

• Amazon Sales Rank: #2944159 in eBooks
• Published on: 2015-11-22
• Released on: 2015-11-22
• Format: Kindle eBook

The Iliad: Titan Classics (Illustrated), by Homer

Language Notes Text: English (translation) Original Language: Greek

About the Author Alexander Pope (21 May 1688 – 30 May 1744) was an 18th-century English poet, best known for his satirical verse and for his translation of Homer's Iliad (ISBN 9781480048348) and Odyssey (ISBN 9781490516424). Famous for his use of the heroic couplet, he is the third-most frequently quoted writer in The Oxford Dictionary of Quotations, after Shakespeare and Tennyson. Pope had been fascinated by Homer since childhood. In 1713, he announced his plans to publish a translation of the Iliad. The work would be available by subscription, with one volume appearing every year over the course of six years. Pope was 25 years old. He secured a revolutionary deal with the publisher Bernard Lintot, which brought him two hundred guineas (£210) a volume, equivalent to about £26,000 as of 2012, a vast sum at the time. Encouraged by the success of the Iliad, Pope translated the Odyssey. The translation appeared in 1726, but this time, confronted with the arduousness of the task, he enlisted the help of William Broome and Elijah Fenton. Pope attempted to conceal the extent of the collaboration (he himself translated only twelve books, Broome eight and Fenton four), but the secret leaked out. It did some damage to Pope's reputation for a time, but not to his profits. By the mid-18th century new fashions in poetry emerged. A decade after Pope's death, Joseph Warton claimed that Pope's style of poetry was not the most excellent form of the art. The Romantic movement that rose to prominence in early 19th-century England was more ambivalent towards his work. Though Lord Byron identified Pope as one of his chief influences (believing his scathing satire of contemporary English literature English Bards and Scotch Reviewers to be a continuance of Pope's tradition), William Wordsworth found Pope's style fundamentally too decadent a representation of the human condition. In the 20th century Pope's reputation was revived. Pope's work was found to be full of references to the people and places of his time, and these aided people's understanding of the past. The postwar period stressed the power of Pope's poetry, recognising that Pope's immersion in Christian and Biblical culture lent depth to his poetry. Maynard Mack thought highly of Pope's poetry, arguing that Pope's moral vision demanded as much respect as his technical excellence. In the years 1953–1967 the production of the definitive Twickenham edition of Pope's poems was published in ten volumes.

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98 of 102 people found the following review helpful. Succeeds where modern translations have failed! By A Customer A professor at Cambridge University summed it up quite nicely. He notes, "You could not memorize Fagles, or Lattimore - or Hobbes, a few phrases apart - while Pope, even at his least Homeric, is memorable." Compare the following VERY BRIEF excerpts to see what I mean. Iliad xxii (483ff.)Robert Fagles:The day that orphans a youngster cuts him off from friends. And he hangs his head low, humiliated in every way. . . his cheeks streaked with tears.Alexander Pope:The Day, that to the Shades the Father sends,Robs the sad Orphan of his Father's Friends:He, wretched Outcast of Mankind! appearsFor ever sad, for ever bath'd in Tears;Pope clearly conveys the emotion better, and as a poet rather than an academic, he is probably closer to Homer's original, at least in style, than most. It is only too bad that this edition is not available in hardcover, since I would like it to grace my library wall for years to come. Also, I do not know how Penguin can justify such an exhorbitant price for a paperback edition. Perhaps because it is the only edition currently available by Pope.

109 of 117 people found the following review helpful. The Iliad of Homer, Translated by Alexander Pope By ingrid888 The two classic verse (English) translations of Homer's Iliad & Odyssey are by George Chapman (1611) and Alexander Pope (1725). A classic prose translation of both works is the one by Lang, Leaf, and Myers (Iliad), and Butcher, Lang (Odyssey). A good, literal prose translation from the 1890's of the Odyssey is the George Herbert Palmer. Good literal, modern prose translations of both works are the ones by A. T. Murray. The better prose and verse translations of the latter half of the 20th century (E. V. Rieu, Fagles, Lattimore, Fitzgerald, Lombardo, Mandelbaum, etc.) are all, though they obviously have different approaches, pretty much at the same level of inspiration. To get most of Homer in English you have to first learn the poems from ANY translation that speaks to you (even starting with a paraphrased prose version for 'children' is a good idea), then you have to read the Chapman and Pope along with a good, literal prose version. This Penquin Classics edition of Pope's translation of the Iliad includes all of Pope's notes for each book as-well-as his Preface, Essays on the nature of Homer's battle scenes and on the Shield of Achilles, and the three remarkable indexes (Index of Persons and Things, Poetical Index, and Index of Arts and Sciences). The notes contain, along with Pope's original notes, numerous extracts from ancient and modern commentators of the poem including the allegorizing of the various scenes and events and so on. Pope's verse itself makes Homer a startling new experience for anyone only familiar with 20th century translations. Because the verse is in heroic, rhymed couplets each detail of the poem stands more clearly on its own. Details that get blended in and painted over in modern translations stand out in Pope's verse. The verticalness of the poem (hierarchy of levels of being from beneath human to human to semi-divine to divine...) is made more visible. Architecture and natural description is more vivid. Pope also brings out the higher psychological play between the characters and gods and goddesses. This edition is definitely worth its price.

57 of 60 people found the following review helpful. One of the finest reading experiences of my life! By A Customer I have been reading two translations of Homer's Iliad over the past several weeks: Robert Fagles' 1990 translation and Alexander Pope's 1743 translation. I have read the two translations in tandem, one "book" at a time. I first read Mr Fagle's translation, then the notes of Mr Pope, and finally his translation.I would call this one of the finest reading experiences of my life.I read both translations out-loud, or at least in a whisper. This winter-time reading experience has been, for me, a labor of love, a stimulating intellectual experience, a study in contrasts, and a return to the sources of Western Literature. I find Homer as fascinating as Alexander Pope claims him to be. Although his long narrative describes only a few days of the ten years war between Greece and Troy, he makes it interesting by his variety of metaphors, his close description of characters, and his attention to detail. Every man who dies is a person, with family, friends, history, and personality. Some are likeable, others are not; but in any case there are no ciphers in Homer's war. I am fascinated too by the developing theological issues of this six century BCE civilization. We might have to worship these meddlesome gods and their All-powerful Zeus, but do we always have to respect them? They seem to be all too human. In fact, the gods themselves seem to be trapped in an eternally frustrating struggle. Zeus is condemned to defend his sovereignty against a panoply of gods who must always resent his authority. Meanwhile, he is lonely, and he cannot stop himself from occasionally confiding in "that bitch" his sister and wife, Hera. She reminds me of a woman in a recent movie who said "Sometimes being a bitch is the only way a woman can save her self-respect." (Or something to that effect.) "Hera" represents that eternally angry woman who will not and cannot buckle under male domination. I find myself being grateful to this western tradition which has honored and preserved the memory of Homer and kept these ancient books in tact. I grieve at the thought of ancient celtic, african, and native american epics that have been lost or so badly mangled that they cannot be restored. I understand that there has been an enormous flurry of excitement over Mr Fagles' translation and I am certainly caught up in it as well. He tells these stories with excitement and conviction; they are as plausible and coherent today as they must have been to the privileged listeners who sat at the feet of Homer. But I am also grateful to Penguin Press who last year celebrated their 50th anniversary by republishing this magnificent translation by Alexander Pope. I only wish more of the reading public had heard about the celebration. I hate to admit that I was an indifferent student in college. I had other things on my mind. But now, in my middle years, I am glad to have the time and opportunity, to curl up with two great translations of Homer's Iliad on a winter's evening, to discover again the joy of reading superb English.

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The Iliad: Titan Classics (Illustrated), by Homer

A Prairie Farm Boy Looks Over his Shoulder, by Orville G. Hiepler PH.D

A Prairie Farm Boy Looks Over his Shoulder, by Orville G. Hiepler PH.D

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A Prairie Farm Boy Looks Over his Shoulder, by Orville G. Hiepler PH.D

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As a child, Orville G. Hiepler remembers his father’s laconic but eloquent response when asked, “How’s it going?” The answer never varied—he always replied, “It must go!” an affirmation that work, life, and the world must continue, no matter what.

Hiepler carried his father’s words and work ethic with him all his life, from his home on the windswept plains of North Dakota to seminary school and into his seventy-year ministry. His passion for saving souls, establishing new churches, and following through on project after project all came down to this simple expression: “It must go!”

A Prairie Farm Boy Looks over His Shoulder tells the story of Hiepler and how he progressed from a young boy in a one-room prairie schoolhouse to a dedicated Lutheran minister. His willingness to share his life with people no matter where he traveled, lived, or worked is a testament to the saving love of Christ that continues to guide Hiepler’s life.

Though a loving father and husband, Hiepler’s true identity is as a minister—and always will be. And while his story may be a look back, Hiepler continues to look forward, because “It must go!”

A Prairie Farm Boy Looks Over his Shoulder, by Orville G. Hiepler PH.D

• Amazon Sales Rank: #2238789 in Books
• Published on: 2015-09-09
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .64" w x 6.00" l, .84 pounds
• Binding: Paperback
• 280 pages

A Prairie Farm Boy Looks Over his Shoulder, by Orville G. Hiepler PH.D

About the Author

Orville G. Hiepler, PhD, was born into a godly family on the plains of North Dakota. He attended a one-room country school and then Epping High School in a town seven miles from home.

Hiepler studied at Concordia College in Moorhead, Minnesota, and completed his graduate work at Luther Seminary in St. Paul, Minnesota. He received his PhD at the California School of Theology.

A parish pastor in the Lutheran Church for sixty years, Hiepler devoted his life to “church planting,” establishing places of worship wherever a need arose. He is the author of The Pastor-Administrator: The Key to Growth and Vitality and served on many church committees and boards.

The former president of the golf club in Fallbrook, California, Hiepler is also a member of Rotary International and an avid traveler who has led tours around the world. He lives in Camarillo, California, with his wife Florence. They have four children, ten grandchildren, and eight great-grandchildren.

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1 of 1 people found the following review helpful. A wonderful story about a wonderful man By Willliam Minea A wonderful story about a wonderful man. Who could deny his impact on so many people in his life. And he still goes on !

0 of 0 people found the following review helpful. Faith of Our Fathers By Carol Wright This amazing book really reminds each of us the important role of faith in our lives. It is inspiring and motivating. The captivating stories touch the heart strings!

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A Prairie Farm Boy Looks Over his Shoulder, by Orville G. Hiepler PH.D

A Prairie Farm Boy Looks Over his Shoulder, by Orville G. Hiepler PH.D

Bending Light: Lyrics of Mysticism, by Dara Reidyr

Bending Light: Lyrics of Mysticism, by Dara Reidyr

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Lyrics of Mysticism

Bending Light: Lyrics of Mysticism, by Dara Reidyr

• Amazon Sales Rank: #8430214 in Books
• Published on: 2015-11-24
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .13" w x 6.00" l, .19 pounds
• Binding: Paperback
• 54 pages

Bending Light: Lyrics of Mysticism, by Dara Reidyr

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0 of 0 people found the following review helpful. Wow, is all I can say. Such insight ... By TCDS Wow, is all I can say. Such insight in lyrics that are not the norm today. This is mysticism for those who are "awake".

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Bending Light: Lyrics of Mysticism, by Dara Reidyr

Bending Light: Lyrics of Mysticism, by Dara Reidyr

Bending Light: Lyrics of Mysticism, by Dara Reidyr