Rules of Civility: A Novel, by Amor Towles
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Rules of Civility: A Novel, by Amor Towles
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A sophisticated and entertaining debut novel about an irresistible young woman with an uncommon sense of purpose.
Set in New York City in 1938, Rules of Civility tells the story of a watershed year in the life of an uncompromising 25-year-old named Katey Kontent. Armed with little more than a formidable intellect, a bracing wit, and her own brand of cool nerve, Katey embarks on a journey from a Wall Street secretarial pool through the upper echelons of New York society in search of a brighter future.
The story opens on New Year's Eve in a Greenwich Village jazz bar, where Katey and her boardinghouse roommate Eve happen to meet Tinker Grey, a handsome banker with royal blue eyes and a ready smile. This chance encounter and its startling consequences cast Katey off her current course, but end up providing her unexpected access to the rarified offices of Conde Nast and a glittering new social circle. Befriended in turn by a shy, principled multimillionaire, an Upper East Side ne'er-do-well, and a single-minded widow who is ahead of her times, Katey has the chance to experience first hand the poise secured by wealth and station, but also the aspirations, envy, disloyalty, and desires that reside just below the surface. Even as she waits for circumstances to bring Tinker back into her orbit, she will learn how individual choices become the means by which life crystallizes loss.
Elegant and captivating, Rules of Civility turns a Jamesian eye on how spur of the moment decisions define life for decades to come. A love letter to a great American city at the end of the Depression, readers will quickly fall under its spell of crisp writing, sparkling atmosphere and breathtaking revelations, as Towles evokes the ghosts of Fitzgerald, Capote, and McCarthy.
Rules of Civility: A Novel, by Amor Towles - Amazon Sales Rank: #7533 in Audible
- Published on: 2011-07-26
- Format: Unabridged
- Original language: English
- Running time: 696 minutes
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Most helpful customer reviews
440 of 468 people found the following review helpful. Heart and Soul, New York By "switterbug" Betsey Van Horn If a novel could win an award for best cinematography, this would take home the gold. Amor Towles's sophisticated retro-era novel of manners captures Manhattan 1938 with lucid clarity and a silvery focus on the gin and the jazz, the nightclubs and the streets, the pursuit of sensuality, and the arc of the self-made woman.The novel's preface opens in 1966, with a happily married couple attending a Walker Evans photography exhibition. An unlikely chance encounter stuns the woman, Katey--a picture of a man staring across a canyon of three decades, a photograph of an old friend. Thus begins the flashback story of Katey's roaring twenties in the glittering 30's.Katey Kontent (Katya) is the moral center of the story, an unapologetic working girl--more a bluestocking than a blue blood-- born in Brighton Beach of Russian immigrant parents. She's an ambitious and determined statuesque beauty à la Tierney or Bacall who seeks success in the publishing industry. She works as hard by day as she plays at night. Her best friend, Eve (Evelyn) Ross, is a Midwest-born Ginger Rogers /Garbo character mix, with jazz cat spirit and a fearless, cryptic glamor. She refuses daddy's money and embraces her free spirit:"I'm willing to be under anything...as long as it isn't somebody's thumb."Katey and Eve flirt with shameless savoir-faire, and are quick with the clever repartees. They will kiss a man once that they'll never kiss twice, and glide with effortless élan among all the social classes of New York. Moreover, they can make a few dollars stretch through many a martini, charming gratis drinks from fashionable men. With their nerve and gaiety, the two would be equally savvy at Vanity Fair or the Algonquin Round Table, or in a seedy bar on the Lower East Side.Eve and Katey meet the sphinx-like Tinker Grey on New Year's Eve, 1937, at the Hotspot, a jazz bar in Greenwich Village. Tinker's métier is Gatsby-esque--an inscrutable, ruggedly handsome man in cashmere, a mysterious lone figure with an enigmatic mystique. The three become fast friends, but as with many triangulating relationships, a hairline rivalry sets in. Then a cataclysmic tragedy shatters the cool grace of their bond, and their solidarity is ruptured.Towles is spectacular at description and atmosphere, keeping a keen camera's eye on the city with a polished pedigree of writing that is rare in a debut novel. A smoky haze envelopes the streets and clubs and buildings, which the reader can't help surveying in all the rich colors of vintage black and white. The writing is dense, yet fluid and ambient, rich as a contralto, and cool as a saxophone. Tendrils of Edith Wharton flow through, as well as Fitzgerald, and echoes of Capote's Holly Golightly.At times, the lush descriptions threaten to eclipse the story, and the characters recede. This is a book of manners, so the action resides in the conflict between individual ambitions and desires and the acceptable social codes of behavior between classes. However, the middle section stagnates, as one character hugs most of the narrative in repetitive days and nights, the psychological complexities dimming. It loses some steam as the taut thrill of the first half wanes, but an understated closure recharges it again.Overall, the beauty of the novel endures, and the sensuality of the prose lingers. The reader is also edified on the origin of the title, and the author folds it in neatly to the story. The characters are crisp and contoured, delightful and satisfying, even if one left the stage a bit too soon. This is one male writer who finesses his female characters with impressive agility and assurance.
207 of 228 people found the following review helpful. The masquerade of civility By TChris Some books unfold at a leisurely pace and demand to be read in the same way -- nibbled and savored, the better to prolong the pleasure. Rules of Civility is one of those. It's a throwback novel, the kind in which unashamedly bright characters engage in impossibly witty conversations. The novel takes its name from the 110 rules that George Washington crafted during his teenage years. Katey Kontent eventually sees Washington's rules not as "a series of moral aspirations" but as "a primer on social advancement." They are the rules that shape a masquerade in the hope "that they will enhance one's chances at a happy ending." Ultimately Rules of Civility asks a serious question about Katey's observation: Are the behavioral rules that define "civility" simply a mask that people wear to conceal their true natures? Or are the rules themselves important, and the motivation for following them irrelevant?The story begins in 1966 but quickly turns back to 1938, the most eventful year in Katey's life. Katey and her friend Eve meet Tinker Grey, a charming young banker, at a jazz club on New Year's Eve. Their blossoming three-way friendship takes an unexpected turn when Eve is injured in an accident while Tinker is driving. Tinker's apparent preference for Katey shifts to Eve as she recuperates. Months later, something happens to cause a change in their relationship, giving Tinker a more important role in Katey's life. Along the way, Katey's career is leaping forward: from reliable member of a law firm's secretarial pool to secretary at a staid publishing house to gofer and then editorial assistant at a trendy magazine. As Katey socializes with the well-to-do and the up-and-coming, she learns surprising secrets about the people in her life, including Tinker, and learns some things about herself, as well.Katey is an outsider socializing with a privileged group of people (white, wealthy, and sophisticated), but she remains the grounded daughter of a working class Russian immigrant. She treasures her female friends. She neither hides nor flaunts her intelligence. She makes choices "with purpose and inspiration" although she comes to wonder about them in later years. Like most people who use their minds, she's filled with contradictions. Reading Walden, she values simplicity; she fears losing "the ability to take pleasure in the mundane -- in the cigarette on the stoop or the gingersnap in the bath." At the same time, she enjoys fine dining and dressing well: "For what was civilization but the intellect's ascendancy out of the doldrums of necessity (shelter, sustenance, and survival) into the ether of the finely superfluous (poetry, handbags, and haute cuisine)?"To varying degrees, the characters in this novel make mistakes (who doesn't?). As one character notes, "at any given moment we're all seeking someone's forgiveness." But when should forgiveness be granted? When does love require forgiveness? Towles avoids simplistic answers to these difficult questions; this isn't a melodrama in which characters ride out tragedies to arrive at a neat and happy ending. This is a nuanced novel that remains cautiously optimistic about life, crafted by a generous writer who sees the good in people who have trouble seeing it in themselves, a writer who believes people have the capacity for change.Rules of Civility offers up occasional treats for readers in the form of brief passages from the books the characters are reading, snippets from Hemingway and Thoreau and Woolf, an ongoing description of an Agatha Christie novel. When Towles introduces a book editor as a character in the novel's second act, it seems clear that Towles shares the editor's old-fashioned respect for "plot and substance and the judicious use of the semicolon." Towles captures the essence of minor characters with a few carefully chosen words. In the same precise and evocative style he recreates 1938 Manhattan: neighborhoods, restaurants, fashions, and music. He writes in a distinctive voice, refined but street-smart, tailored to the era in which the novel is set. His dialog is sharp and sassy. The ending has a satisfying symmetry. If I could find something critical to say about this novel, I would, but I can't. I recommend it highly.
348 of 414 people found the following review helpful. mystified by glowing reviews for this book By New York reviewer The reviews for "Rules of Civility" have been so glowing, I rushed to buy a copy. A novel about the young and reckless in 1930s New York? Sign me up! The author's story is also alluring -- somewhat advanced in years to be turning out a first novel, he has a career in a field unrelated to writing, and, in interviews, seems humbled by the book's early success. Good for him! But then there is the book. Its main character and narrator, Katey Kontent, is supposed to be from Brooklyn, of a blue collar family. Her voice, on the other hand, is that of a young man from outside New York, perhaps a "good" Midwestern family -- dull but well-read. There is no Brooklyn whatsoever in Katey. It turns out to be her wild and wacky friend Eve who is from a "good" Midwestern family. Eve, for reasons unknown, ignores her parents or treats them abominably; runs away from friends and lovers; drinks too much; passes out almost dead on a regular basis; and is rude and generally unlikable. She is in a terrible car accident early on in the book, but she was rude and unlikable before that. Then there is Tinker, who appears to be a blue blood, but is not, though he might have been. Who cares? There is some sort of triangle among the three, though you never get any idea why any of them like each other. Chemistry? None. They keep running away, but always happening upon each other again. And speaking of chance encounters -- Katey Kontent never meets anyone of any significance whom she does not bump into again at a VERY IMPORTANT MOMENT. You would think New York had a population of 438. It becomes funny after a while in a way I'm sure the author did not intend. Many pages are filled with detailed descriptions of activities not essential to building plot or character, like building paper airplanes or shooting different types of guns. But lots of pages are filled. Also, everyone in the book drops Quotes From Famous Authors with alarming frequency. And everyone has a hidden talent! Singing, playing an instrument, building those very very elaborate paper airplanes. . . It must be difficult for an author to write about a time period with which he has had no real experience, and though there are some nice physical descriptions of the city in "Rules of Civility," the book overall feels forced and phony. In fact, I had to force myself to finish it. Then I went and had re-read "Turn, Magic Wheel," a much more satisfying novel about mid-century New York by the great Dawn Powell.
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