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Cowboy Marry Me, by R.d. Preston
Poetry for that once-in-a-lifetime lover. Each poem can begin the love story that you are looking for. Suitable to use as unique wedding vows, or to jot on a scrap of paper to tuck into your special someone’s pocket or lunch bag. This book contains 100 ways to say “Marry me.” Even if you’re already married, giving an intimate poem to your spouse is always appreciated. This book is meant to give the reader time to pause and reflect upon the love of their life and just how meaningful that person is to them. It’s filled with appreciation, love, and yes – a bit of yearning. The power of love is revealed in each individual poem.
Cowboy Marry Me, by R.d. PrestonMost helpful customer reviews
2 of 2 people found the following review helpful. Cowboy Poet Laureate of the American West By Frank Scozzari I consider R.d. Preston the Cowboy Poet Laureate of the American West. His poetry exemplifies love for country, family and friends. With this new collection, COWBOY MARRY ME, he continues to impress. Elegance of words and simplicity of voice are hallmark of his style. He speaks of the simple things in a way that will bring you back home and have you yearning for the good-times past. Life & love straight forward is brought to bear.Included in this set are many memorable poems from 'The First Time' to 'Inward Bound' and 'My Dearest Darlin'.’ Lines such as; "In our life together, we will last forever," are destined to become classic. If you like poetry and the cowboy way, you are going to love R.d. Preston's COWBOY MARRY ME.
1 of 1 people found the following review helpful. INCREDIBLY BEAUTIFUL - HIGHLY RECOMMEND By BOOK CZAR A unique collection of poems, Cowboy Marry Me, expresses affection and gratitude for one’s lover with heartfelt prose. R d Preston gives the reader a private view into the day-to-day details of loving another human being. Simply written, easy to understand, each poem is a proposal of marriage. His words are simple but profound. He writes with passion, devotion, and adoration. I’m a fan of this new poet. It’s refreshing to read about love and tenderness in this fast-paced, often cold, world. We need more love!
1 of 1 people found the following review helpful. Beautiful romantic love poems By Kendall Barnett Beautiful romantic love poems. Mr. Preston has melted my heart. To be seen through someone's eyes like this is every girls fantasy.
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Checking out the publication Family Resemblance: An Anthology And Exploration Of 8 Hybrid Literary GenresFrom Rose Metal Press by online can be also done conveniently every where you are. It appears that hesitating the bus on the shelter, waiting the listing for line, or various other places feasible. This Family Resemblance: An Anthology And Exploration Of 8 Hybrid Literary GenresFrom Rose Metal Press could accompany you during that time. It will not make you feel bored. Besides, in this manner will also boost your life high quality.
Family Resemblance: An Anthology and Exploration of 8 Hybrid Literary GenresFrom Rose Metal Press
Literary Nonfiction. Hybrid Genre. Poetry. Fiction. Art. Cultural Studies. When we talk about hybrid literary genres, what do we mean? Unprecedented in both its scope and approach, FAMILY RESEMBLANCE is the first anthology to explore the answer to that question in depth, providing craft essays and examples of hybrid forms by 43 distinguished authors. In this study of eight hybrid genres—including lyric essay, epistolary, poetic memoir, prose poetry, performative, short-form nonfiction, flash fiction, and pictures made of words—the family tree of hybridity takes delightful shape, showcasing how cross-genre works blend features from multiple literary parents to create new entities, forms that feel more urgent than ever in today's increasingly heterogeneous landscape. Introductions and an afterword discuss the importance and current popularity of hybridity in literature and culture and offer methods for teaching hybrid works. Intended for both scholarly and general readers, this seminal collection sparkles with inventiveness and creative zeal—an essential guidebook to a developing field. Contributors: Kazim Ali • Susanne Paola Antonetta • Andrea Baker • Jennifer Bartlett • Mira Bartók • Jenny Boully • Julie Carr • Katie Cortese • Nick Flynn • Sarah Gorham • Arielle Greenberg • Carol Guess • Terrance Hayes • Robin Hemley • Takashi Hiraide • Tung-Hui Hu • Mark Jarman • A. Van Jordan • Etgar Keret • Joy Ladin • Miriam Libicki • Bret Lott • Stan Mack • Sabrina Orah Mark • Brenda Miller • Ander Monson • Maggie Nelson • Amy Newman • Gregory Orr • Julio Ortega • Jena Osman • Kathleen Ossip • Pamela Painter • Craig Santos Perez • Khadijah Queen • David Shields • Mary Szybist • Sarah Vap • Patricia Vigderman • Julie Marie Wade • Diane Wakoski • Joe Wenderoth • Rachel Zucker
Family Resemblance: An Anthology and Exploration of 8 Hybrid Literary GenresFrom Rose Metal PressReview “Sulak and Kolosov have assembled a mighty collection of essayists and poets, including Maggie Nelson, Terrance Hayes, EtgarKeret, Nick Flynn, and David Shields, and their insights into their own creative processes give the book its value.” PUBLISHERS WEEKLY“Family Resemblance is an extraordinarily rich anthology, intelligently conceived and artfully arranged--full of essential readings that offer clarity while keeping alive the mystery of the hybrid form.”LIA PURPURA“If there is one way to contain all that hybrid texts can be, this book does it. With open arms, FamilyResemblancebrings together video, napkins, electrons the size of gnats, Hot Wheels, Yvor Winters, Laura Petrie, chess, homebirth, the color blue, a guy named Jason, a woman named Mary, Santa Claus, Malcolm X, card catalogues, perfect heavens, graphics, and maps. The plentitude of subjects embodies the plentitude of form. This book creates its own hybrid, binding discourses, making them snap with electricity.”NICOLE WALKER“Family Resemblance is one of those all-too-rare literary anthologies that’s as informative for contemporary writers and their readers as it is for students learning about contemporary writers. Surprise, risk, the energy of the new; the work collected here engages literary history while doing things that have never been done, and readers will take away a broader sense of creative possibilities in writing.” MARK WALLACE
About the Author Marcela Sulak is the author of three collections of poetry, most recently Decency (Black Lawrence Press, 2015), and her essays have appeared in The Iowa Review, The Los Angeles Review of Books, Rattle, and various anthologies. She's translated four collections of poetry: Orit Gidali from Israel, Karel Hynek Mácha and K.J. Erben from Hapsburg Bohemia, and Mutombo Nkulu-N'Sengha from the Democratic Republic of the Congo. Some of these have been performed in the Prague National Theater and in Warsaw, and have been used as subtitles for films. She is an editor at The Ilanot Review and Tupelo Quarterly, and hosts the weekly radio podcast "Israel in Translation" at TLV.1. She directs the Shaindy Rudoff Graduate Program in Creative Writing at Bar-Ilan University outside of Tel Aviv, where she teaches American literature, hybridity, documentary poetics, prosody, and literary translation.Jacqueline Kolosov holds degrees in English from the University of Chicago (BA, MA) and New York University (PhD), and works as a professor of English at Texas Tech University. She has published three poetry collections, among them Memory of Blue (Salmon, 2014), and five novels for teens, including A Sweet Disorder (Hyperion, 2009) and Paris, Modigliani & Me (Luminis Books, 2015). The recipient of a Literary Fellowship in Prose from the National Endowment for the Arts, her essays, stories, poems, and hybrid works have been published in such journals as The Sewanee Review, Poetry, and Prairie Schooner. Originally from Chicago, she lives in West Texas with her husband, the poet William Wenthe, and their daughter, as well as three intrepid dogs, a curious cat, and a Spanish mare who keeps her fully grounded in the present.
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3 of 3 people found the following review helpful. An Inspiring Exploration of the Hybrid Form By RL Black Rose Metal Press has done it again! Family Resemblance, edited by Marcela Sulak and Jaqueline Kolosov, is not only an exceptional tool for the craft, but also a vivid example of the craft. In much the same style as their Field Guides to Flash Fiction, the Prose Poem, and Flash Nonfiction, Family Resemblance brings us craft essays from 43 different authors, and then also gives us gorgeous examples of the forms. The hybrid is defined and showcased here, but without any futile attempt to cage or confine it.The anthology covers 8 hybrid forms–the lyric essay, the epistolary, the poetic memoir, prose poetry (my favorite), performative, short-form nonfiction, flash fiction, and pictures made of words. And whether you want to learn more about the different creative forms, or just enjoy reading them, you’ll find plenty here to love.I have a huge crush on all things hybrid and experimental because I like the tangible, textural feel of those pieces, and I find myself gravitating toward the edgy kind of journals that publish it–journals like Threadcount, Rivet, theEEL, and DIAGRAM. And Family Resemblance has allowed me to take a closer look at these forms that inspire me. If you like that kind of work as much as I do, you are going to cherish and appreciate Family Resemblance. Go grab a copy now!Huge thanks to Rose Metal Press for sending me a review copy of Family Resemblance–I shall hold it close forever!
2 of 2 people found the following review helpful. I LOVE THIS BOOK! By Ever Bradley I LOVE THIS BOOK!!!!Aside from giving me immense personal reading pleasure, FAMILY RESEMBLANCE has absolutely solvedmy curriculum problem for next fall’s grad forms class on the lyric essay and other hybrid forms. I’d already started collectingbooks and essays and prose poems etc. for the class, but Holy Hybrid! this book is outstanding. I can't wait to shareit with my student writers. A wonderful array of process essays and original hybrid work, plus some of the best intro essays byeditors that I've seen on the subject. Congratulations to Marcela Sulak, Jacqueline Kolosov and to all the writers (you truly outdid yourselves), and to Rose Metal Press: what lovers of the word you are. Thank you!
2 of 3 people found the following review helpful. Like their excellent field guide trilogy By Critical Angst In the preface to this extraordinary book Marcela Sulak speaks to the “alchemy of genre mallebillity” her claim is “new alchemy, new fields of play.” Sulak accepts that genres are imaginary guidelines, but they are helpful, if imperfect tools. This book shows us some new games to play in the undisputable category that is writing. Like their excellent field guide trilogy, this book is inspiring to readers, writers and teachers.
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The Camp Fire Girls In The Maine Woods, Or, The Winnebagos Go Camping, by Hildegard G. Frey
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Camp Fire Girls In The Maine Woods, Or, The Winnebagos Go Camping, by Hildegard G. FreyMost helpful customer reviews
0 of 0 people found the following review helpful. Thought this was a good description of the area By derelect I have been in the north woods! Thought this was a good description of the area. Story was great! Can't wait to read the rest of the series!!
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Cloudshade: Poems of the High Plains, by Lori Howe
In every season, life on America’s high plains is at once harsh and beautiful, liberating and isolated, welcoming and unforgiving. The poems of Cloudshade take us through those seasons, swinging wide a glassless window to life in the West--to antelope flowing seamless over dirt roads, boom and bust ghost towns, deep, glacial lakes ringed with glowing aspen trees, ice fishing by the Northern Lights, and as in “High Plains Solstice,” live music on summer nights that
carves hot petals through our bodies in its ritual of tides and light; licks us open from the inside until we are night-blooming jasmine seduced by the moon.
Cloudshade is a book for everyone, from poetry lovers to those who don’t usually read poems. If you’ve ever waited through five or six months of winter for the first signs of spring, stood outside to feel the first, long-awaited summer rains, caught the wood-smoke and cottonwood scent of fall, or stood on a frozen lake, listening to winter rumbling and heaving through the ice, these poems will carry you back to what is elemental and haunting about life on the high plains, as in “On the Ice,” where
We wait, silent, hearing with our feet the seething of ultramarine blood, the twitching of bones, rumbles of omens and restless spirits. The ice stretches and heaves, cracking like gunshot, and beneath that, glints and gleamings of sound, like whales calling across the darkness.
In the poetic tradition of James Wright and B.H. Fairchild, these poems are rooted in the mercies of daily life, illuminating the intersections between our own internal landscapes and those that surround us. Howe offers a fleeting portrait of that intersection in the poem, “En Route to My Father’s Funeral”
At a pale crossroads, in an open shop two floors up, a welder works into the night. His arc is lonesome in the cool air, gobbets of fire like unformed angels falling.
Whether you live on the high plains or it lives in your memory, the poems of Cloudshade, like the first summer rain, bring the sounds, scents, and the vividness of life back to us, whole.
Cloudshade: Poems of the High Plains, by Lori Howe
Review In Cloudshade: Poems of the High Plains, Lori Howe gives song to landscapes abandoned and unadorned, places where "wind has erased its hieroglyphs." Whether shadowed by ghosts, weather, or the fragility of love, Howe staves off loss with precise and vivid language. Her voice is "mineral and granite" enriched by "a gracious plenty of color." Her powerful poems are mercy and light. -Alyson Hagy, author of Snow, Ashes, Graveyard of the Atlantic, and Boleto: A Novel In Lori Howe's Cloudshade we are presented with the seasons of a Wyoming year beginning in an unusually dry June, the earth pulling in on itself. The year passes with the coyotes' distant call, the dark of a prairie bar and its human inhabitants born "...neon blue/and feet first/into a field of summer/harmonicas." Then there is the rain that falls from the clouds but dries before it hits the ground, the empty houses and towns, the railroad sidings abandoned and rotting, everything that is lost and--by most people-forgotten. And no matter the season there's always a storm brewing somewhere not far away. With the return of spring in the collection's last section, the rain finally arrives and the pronghorn antelope graze on the green grasslands but it's a brief time of plenty in a land that we learn was never meant for humans, "never meant to host a softness/of bodies." -David Romtvedt, author of Wyoming Fence Lines, Some Church, and Certainty As we read Lori Howe's wonderful collection, Cloudshade: Poems of the High Plains, we discover what the poet, W.H. Auden, called, "Topophilia," a sudden encounter with the landscape. When landscape becomes more than mere geography, and more than mere reflection of a speaker, we find in this collection, due to Howe's diligence, places of beauty and disaster, and the poems become a testament of these places where "there is no marker / cast in bronze, / only the empty stare / of gin bottles, / curled leather boots, / and shards of sapphire tiles / left to mimic the sky." Within these poems, place reminds us of the unrelenting nature of time, and our fleeting human lifespan within the long reality of life in the harsh high plains, but if we read these poems close enough, we will also unearth evidence of hope, of how we endure. -Lindsay Wilson, author of No Elegies
About the Author Lori Howe is the author of Cloudshade: Poems of the High Plains (Sastrugi Press, 2015), High Lonesome: A Poet's Guide to Wyoming Ghost Towns (Elm Books, 2016), and Stories from Earth: Millennials, Literature, and Teaching Writing that Matters. Her poems, short fiction, and non-fiction appear in numerous journals, anthologies, and books. She holds an M.F.A. in poetry from the University of Wyoming. Editor in chief of Clerestory: Poems of the Mountain West (clerestorypoets.org), she lives and writes in Laramie, Wyoming.
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2 of 2 people found the following review helpful. ” Like these lines from “Midnight Gospel By Academic80sBaby If there is a single phrase in Cloudshade that could encompass the general feeling a reader gets from indulging in these poems, it is “vivid as the first scent/ of an orange.” These lines from the poem “Tangible Stretch—Royal Gorge, CO” speak to the clarity of the work presented in this collection.Lori Howe’s attachment to landscape is more than a theme; it is a way of knowing. To feel your way through her stories, you must know her language as something “Elemental as wind,/ as blood,/ these wild prophets/ give me back my own tongue/ when I cannot/ find it.” Like these lines from “Midnight Gospel,” and like the “low-slung bodies” from the same piece, Howe is “not asking to be saved.” Rather, she invites you to stay for a while in the terrain that so influences her style and gives her the voice to speak for this land. The collection of poems is separated into sections by season, starting with Summer and ending in Spring—ending, if you will, with a surreal sense of hopefulness. Like the epigraph at the beginning of the collection that announces “I stand between the blue of summer and the lake of forgetting,” Howe’s work often declares its in-betweenness with a balance of the unearthly and the material, as with the “Ghost Houses” that “do not know/ that they are dead.” Indeed, at first glance, there appears to be a lot of forgetting—like the stagecoach stop with the sun-shot porch in “Far Between Towns” that appears as abandoned as some of the other high plains imagery in Howe’s poetry. The seemingly desolate landscape is what sets us up for this feeling of isolation. But by the time we reach Spring in Cloudshade we could hardly forget where we started, and we remember that the isolation is only temporary, sometimes more or less an illusion; above all it reminds us that it has its own beauty. It begins in heat—something rather unusual for a high plains landscape, somewhere that almost never suffocates us with high temperature. It’s this initial desperation in the voice of “Rain Coming,” Cloudshade’s opening poem, that sends us through the rest of the collection in search of relief. And we find it in the words, in the imagery, and in the culmination of Howe’s book.Howe’s poetry lifts itself out of the scratchiness that can be the high, dry desert, and into a soft place of observation. She is tied to the landscape and sense of place where one can get lost and feel grounded at the same time, where the dirt itself can be dangerous and yet we still feel a longing to be rooted in it. With a lyricism that gives the palate its own roll, Howe becomes like the cottonwoods in her poem “Offerings,” what she describes as “the archivists of the centuries.” She records these mostly-forgotten places and the way they appear trapped in time. Her poems are the pressed leaves between pages of a library book that we now share in our community of readers.
2 of 2 people found the following review helpful. This Book is Wyoming By Jersey Exile I had the pleasure of living in Wyoming for 18 years, visiting nearly every city and town, crossing the state in all directions (often diagonally to eventually go north or west from Laramie), during all of the year's seasons. I've seen what Lori's seen and felt what she's felt. But she is a poet, and I am not, so she has written what I never will. Wyoming is skies so blue that in winter they seem nearly black reflecting off the snow. It is rain or, more often, the lack of it. Long vistas, wind, dust. Antelopes that race cyclists along little-used ranch roads. Joy and loneliness. Vibrant communities and dying towns. It is also sadness, which she captured gently in The Eight, a tragedy I lived through and will remember all my life. This is poetry for people who love the west, want to understand living in the west, or think that poetry is too gauzy or cryptic. This book is Wyoming, and I love them both. This is based on a review copy I received.
2 of 2 people found the following review helpful. Poetry of the high plains By anne brudevold Lori Howes’ poetry collection "Cloudshade,” published so well by Sastrugi Press, paints vivid pictures of the changing seasons of the Wyoming prairies. There is a real beauty, loneliness, bleakness and contentment in her lines and cadences. She tells how the vast spaces of landscape can fill the arch of person's foot in an oversize boot. Her poems, vivid but down to earth, make the reader hear a train whistle over the high prairie and feel the wind pushing through grain fields. She gives an almanac of weather of the high plains from summer through winter to spring. From heat and drought to rain and freezing, to the rebirth of spring that brings summer again. The poetry is sparse, mimicking the landscape, but rich with in an array of emotions that a person can have though a long year. The language leaps between sense and meaning, quietly catching us when we don’t expect it. “Cloudshade” is a gem.
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Divine Love, by Tawnya Dawn
Tawnya has always been deeply moved by poems about friendship, love, and sensuality. Rumi has always been one of her greatest influences. She feels his poetry moved her Soul to dance. She's excited to share her artistry with all of you, in hopes you join her on the 'Dance Floor of Life!'
Divine Love, by Tawnya DawnMost helpful customer reviews
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Principles Of Logic, by F H. BradleyMost helpful customer reviews
0 of 6 people found the following review helpful. The Principles of Logic By A Customer I am really happy, the book is fine in its content and shape. The only difficulty that I encountered is the delay in reaching it to me. I was promised that the book would arrive here with in 15 days. (maximum). Unfortunately it took another 16 days (32 days). Apart form this delay I am happy with your service. If you can do something with regard to this delay, I would be extremely greatful to you.
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