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Joseph Andrews, by Henry Fielding

Joseph Andrews, by Henry Fielding

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Joseph Andrews, by Henry Fielding

Joseph Andrews, by Henry Fielding



Joseph Andrews, by Henry Fielding

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Joseph Andrews, or The History of the Adventures of Joseph Andrews and of his Friend Mr. Abraham Adams, was the first published full-length novel of the English author and magistrate Henry Fielding, and indeed among the first novels in the English language. Published in 1742 and defined by Fielding as a "comic epic poem in prose", it is the story of a good-natured footman's adventures on the road home from London with his friend and mentor, the absent-minded parson Abraham Adams. The novel represents the coming together[citation needed] of the two competing aesthetics of eighteenth-century literature: the mock-heroic and neoclassical (and, by extension, aristocratic) approach of Augustans such as Alexander Pope and Jonathan Swift; and the popular, domestic prose fiction of novelists such as Daniel Defoe and Samuel Richardson. The novel draws on a variety of inspirations. Written "in imitation of the manner of Cervantes, the author of Don Quixote" (see title page on right), the work owes much of its humour to the techniques developed by Cervantes, and its subject-matter to the seemingly loose arrangement of events, digressions and lower-class characters to the genre of writing known as picaresque. In deference to the literary tastes and recurring tropes of the period, it relies on bawdy humour, an impending marriage and a mystery surrounding unknown parentage, but conversely is rich in philosophical digressions, classical erudition and social purpose.

Joseph Andrews, by Henry Fielding

  • Amazon Sales Rank: #8474808 in Books
  • Published on: 2015-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .39" w x 6.00" l, .53 pounds
  • Binding: Paperback
  • 156 pages
Joseph Andrews, by Henry Fielding

Review (in full The History of the Adventures of Joseph Andrews and of His Friend Mr. Abraham Adams) Novel by Henry Fielding, published in 1742. It was written as a reaction against Samuel Richardson's novel Pamela; or, Virtue Rewarded (1740). Joseph Andrews begins as a burlesque of Pamela, but the parodic intention of the novel soon becomes secondary, and it develops into a masterpiece of sustained irony and social criticism. At its center is Parson Adams, one of the great comic figures of literature. Joseph and the parson have a series of adventures, in all of which they manage to expose the hypocrisy and affectation of others through their own innocence and guilelessness. -- The Merriam-Webster Encyclopedia of Literature

From the Back Cover

Joseph Andrews, first published in 1742, is in part a parody of Samuel Richardson’s Pamela. But whereas Richardson’s novel is marked by the virtues of female chastity and the triumph of steadfast morality, Fielding’s Joseph Andrews is peopled with lascivious women, thieves, hypocrites, and general fools. As we follow the characters in their travels, what unfolds is a lively panoramic satire of mid-Georgian England.

About the Author Henry Fielding, a proficient English novelist and dramatist, is famous for his humorous and satirical portrayal of characters. Writing in the eighteenth century, he is best-remembered for his political satires and comic epic poems in prose.


Joseph Andrews, by Henry Fielding

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Most helpful customer reviews

5 of 5 people found the following review helpful. wonderful read.. By Jennifer Giangrande The prize of this novel is the ability of the author to actually poke fun at his own readers...Fielding encourages us to stop, take a break at each short chapter; at some points he even laments that certain passages aren't worth reading, and just skipping over them would lose nothing in the reader's understanding of the content. This of course, works for us in that it makes us more prone to envelop ourselves in every chapter, following the always clumsy journey and comic circumstance of Parson Adams and Joseph Andrews. The journey from country to city is a prevalent theme in the novel, and through these distinctions, we are able to pinpoint the nuanced comedy Fielding finds in living in his own time period. To understand this you must put yourself inside of the 18th century, and more helpful would be to read the novel that this book is a parody of, "Pamela". Fielding challenges the notions of love and chastity in his time in a hysterical way; that is, if you can follow the winding text and dated grammar....But what a great book. Really.

9 of 11 people found the following review helpful. An incredible book on real friendship ,chastity and honesty By A Customer This is an incredible book about real friendship,chastity and honesty written in the most humorous fashion.Fielding brings out the true values of friendship beteween Parson Adams and Joseph and true love between the latter and Funny.He points out the sad but true "false" nature of the upper class and brings out questions about real life.I like this book because it encourages chastity and esteems honesty.

1 of 1 people found the following review helpful. The Most Intelligent and Hilarious Satire of Social Hypocrisy - Ever By Douglas S. Wood Second only to Voltaire's Candide: Or Optimism (Penguin Classics), Henry Fielding's Joseph Andrews is the funniest, most intelligent, satirical commentary I've ever read. Actually, let's get rid of the qualifiers, Joseph Andrews is one of the two funniest books I've ever read. (I first read it in college and it introduced me to the idea that important old books could also be highly entertaining, interesting, and illuminating.)The book was first published in 1742 under the title "The History of the Adventures of Joseph Andrews, and of His Friend Mr. Abraham Adams" to some controversy. Fielding did not hesitate to poke merciless fun at just about everything 'respectable': religion, the law, lords and ladies, and sexual mores. Fielding attacked the moral hypocrisy of Joseph Richardson's popular Pamela: Or Virtue Rewarded (Oxford World's Classics). (Fielding also wrote a short work, Shamela, that was a direct response to Pamela. Shamela is often sold together with Joseph Andrews See e.g., Joseph Andrews and Shamela (Penguin Classics).) Pamela created a huge literary controversy; Shamela and Joseph Andrews were just two of many mocking responses, although few others survive (see, e.g. Anti-Pamela and Shamela).Joseph (who is Pamela's brother!) is a genial but naïve rustic and a footman in the service of Lady Booby (wink, wink, nudge, nudge). When Joseph rejects her very direct and bawdy advances, Lady Booby sends him packing. Joseph then begins walking home from London to the country to seek out (and marry) Fanny Goodwill, his lifelong sweetheart. Along the way he meets his hometown friend the amiable and forgetful Parson Abraham Adams. Parson Adams is on his way to London to sell his sermons for publication. When Adams discovers he has forgotten to pack said sermons, he and Joseph decide to travel home together. The trip is the departure point for many adventures and mishaps that expose the society's hypocrisy and inequities. Along the way, the reader meets many colorful characters whose pretensions often land them in dire circumstances - furnishing much hilarity to us.Fielding purported to aim at nothing less the invention of a new literary form, the "comic epic-poem in prose". He says in his Preface, "it may not be improper to premise a few words concerning this kind of writing, which I do not remember to have seen hitherto attempted in our language." Fielding, however, was also known to write 'serio-comic', ironic introductions to his works, so some caution is in order. Nonetheless, the Preface accurately describes his "comic epic-poem in prose" as "differing from comedy, as the serious epic from tragedy: its action being more extended and comprehensive; containing a much larger circle of incidents, and introducing a greater variety of characters. It differs from the serious romance in its fable and action, in this: that as in the one these are grave and solemn, so in the other they are light and ridiculous; it differs in its characters, by introducing persons of inferiour rank, and consequently of inferiour manners, whereas the grave romance sets the highest before us; lastly in its sentiments and diction; by preserving the ludicrous instead of the sublime."Absolutely the highest possible recommendation.

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