The Acorn-Planter: A California Forest Play, by Jack London
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The Acorn-Planter: A California Forest Play, by Jack London
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Jack London was an American author, journalist, and social activist. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone. Some of his most famous works include The Call of the Wild and White Fang, both set in the Klondike Gold Rush, as well as the short stories ”To Build a Fire”, ”An Odyssey of the North”, and ”Love of Life”. He also wrote of the South Pacific in such stories as ”The Pearls of Parlay” and ”The Heathen”, and of the San Francisco Bay area in The Sea Wolf. London was part of the radical literary group, ”The Crowd”, in San Francisco, and a passionate advocate of unionization, socialism, and the rights of workers. He wrote several powerful works dealing with these topics, such as his dystopian novel The Iron Heel, his non-fiction exposé The People of the Abyss, and The War of the Classes.
The Acorn-Planter: A California Forest Play, by Jack London- Published on: 2015-11-05
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .15" w x 6.00" l, .22 pounds
- Binding: Paperback
- 64 pages
About the Author Jack London (1876-1916) was an American writer who produced two hundred short stories, more than four hundred nonfiction pieces, twenty novels, and three full-length plays in less than two decades. His best-known works include The Call of the Wild, The Sea Wolf, and White Fang.
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Most helpful customer reviews
2 of 2 people found the following review helpful. Best avoided by even the most avid London fan By Karl Janssen Jack London is primarily known as a novelist and writer of short stories, but during his brief but prolific career he did find time to dabble in poetry, drama, and even film. Given the fame and respect he achieved during his lifetime, one would think the theatrical world would have been clamoring to see this great author's works upon the stage. Unfortunately for him, however, that was not the case, and none of his efforts for the stage proved successful. London wrote a handful of plays, roughly half of which were based on previously published short stories. Though The Acorn Planter, originally published in 1916, is not one of these recycled stories, it nevertheless provides a rehash of many of the common themes that permeate London's books.The cast of The Acorn Planter is composed mostly of members of the Nishinam Indian tribe of California. The core of the allegorical ensemble consists of Red Cloud (the philosopher chief of the tribe), Shaman (who symbolizes religion), War Chief (self-explanatory), and Dew-Woman (representing womankind in general). Eventually the Nishinam encounter the Sun Men, a group of white explorers. Hundreds or thousands of years may pass between acts, but the characters remain the same, that is to say, the archetypal roles are seamlessly filled by the descendants of the characters in the preceding act. The play's dialogue is almost exclusively written in poetic verse, either in the form of songs or of call-and-response chanting between the aforementioned characters and the chorus of tribespeople.In the Acorn Planter, London essentially takes an idea that could be summed up in three or four sentences and stretches it out to about a 45 minute play, while adding little emotional resonance to justify such protraction. One can imagine a stage populated with scores of white people dressed in loin cloths, uttering London's verse in their best stoic Indian voices, to the delight of an equally white audience at some turn-of-the-last-century chautauqua. The main thrust of the play's message is to once again assert that it was the destiny of the white man to conquer the Native American. The Acorn Planter appends to this argument the added hypothesis that if the Natives had only greeted their white conquerors with love instead of violence, they would not have been massacred. The play's only redeeming quality is an underlying affirmation that regardless of death and destruction the cycle of life goes on. Sprouting acorns replace fallen oaks, and newborn babies replace their fallen elders.Unless you are a true completist attempting to read London's entire body of work, avoid The Acorn Planter at all costs. Even the most diehard London fan won't find much enjoyment in it. It is probably the least read-worthy piece of literature he ever wrote. Thankfully, The Acorn Planter was never produced for the stage, and after reading it one can see why.
0 of 0 people found the following review helpful. Good By Mike S sunnysocal The play is nice but terrific if while reading you imagine you are watching it in a smallish theater forced by budget to stretch to gaudiness by innovative attire, props and backdrops.
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