St. Ives: Being The Adventures Of A French Prisoner In EnglandFrom Arkose Press
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St. Ives: Being The Adventures Of A French Prisoner In EnglandFrom Arkose Press
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
St. Ives: Being The Adventures Of A French Prisoner In EnglandFrom Arkose Press- Published on: 2015-11-07
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x 1.25" w x 6.14" l, 2.12 pounds
- Binding: Hardcover
- 564 pages
About the Author Robert Louis (Balfour) Stevenson was a prolific Scottish poet and novelist in the 19th century. He was admired by many other authors, and his work includes The Black Arrow, Kidnapped, and The Strange Case of Dr. Jekyll and Mr. Hyde. He died in 1894.
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Most helpful customer reviews
4 of 5 people found the following review helpful. Excellent fun, nice romance. By D. MATRANGA Robert Louis Stevenson had an ability -- an especially preternatural one at that -- to create iconic fiction. Treasure Island, Dr Jekyll and Mr Hyde, Kidnapped all have managed to become so ingrained in our collective unconscious that even if we don't read the books we know the characters and story as if we had. They are part of that select and somewhat shopworn literary crew that number familiars such as Hamlet, Don Quixote, and Ahab among its members.Yet there is more (much more in fact) to Stevenson than just memorable archetypes. I urge everyone to give some of the other works -- books like Catriona and An Inland Voyage -- a chance in order to get a true glimpse of the great ease, tremendous narrative skill and genial wit Stevenson's writings posses. Those books, as well as this one, are so pleasing, especially those who appreciate the finely modulated, masterly prose of a good-natured humorist. The saddest aspect of this particular work is the unfinished ending. Sadly Stevenson's death brought to an end this narrative, as it did I'm certain to a whole slew of others. It's also a collaborative effort on the part of his step-son Lloyd Osborne who I believe took the story down as Stevenson narrated from a convalescent state. There was another successful collaboration between the two men and one that shows the hand of Osborne more clearly called The Wrong Box, the plot there being a crafty device that must have sprung to life in the brain of one of Scotland's most celebrated raconteurs.
0 of 0 people found the following review helpful. Great, but not good to the last drop.... By Richard Subber I love this story, but I confess that I stopped reading at p. 390. So, don't worry about spoilers....I've always maintained a coldly mechanical willingness to stop reading a book whenever the time comes....in St. Ives, the time comes at Chapter XXXI.Stevenson died after writing XXX chapters of St. Ives, and a respected contemporary, Sir Arthur Thomas Quiller-Couch, wrote the remaining VI chapters from Stevenson's notes.Stevenson's oeuvre is fastidiously lush, precise, sophisticated, with deeply contextual character development and dialogue that leaves me breathless with anticipation for more. There's an abstractly beautiful love interest. Did I mention that I'm a fan of 19th century prose?Quiller-Couch doubtless had his merits as a 19th century writer. He ain't no Stevenson.Q-C's contribution to St. Ives lacks the prepossessing heartiness of Stevenson's dialogue and storyline.Q-C can't quite gin up the panache and persiflage that RLS animates on nearly every page.Q-C makes a too sincere but unavailing effort to match the rural patois that Stevenson offers for the reader's delight.Q-C bungles the parlous adventures of the eponymous protagonist, injecting a wretched slapstick element that leads an RLS fan to transition uncomfortably into pursed-lips mode.Stevenson's prosaic mastery is, sadly, missing in the last VI chapters of St. Ives, and, therefore, ignorance shall be my penalty for closing this truncated masterpiece before I reached the end.Read more on my blog: Barley Literate
1 of 1 people found the following review helpful. Great, but not good to the last drop.... By Richard Subber I love this story, but I confess that I stopped reading at p. 390. So, don't worry about spoilers....I've always maintained a coldly mechanical willingness to stop reading a book whenever the time comes....in St. Ives, the time comes at Chapter XXXI.Stevenson died after writing XXX chapters of St. Ives, and a respected contemporary, Sir Arthur Thomas Quiller-Couch, wrote the remaining VI chapters from Stevenson's notes.Stevenson's oeuvre is fastidiously lush, precise, sophisticated, with deeply contextual character development and dialogue that leaves me breathless with anticipation for more. There's an abstractly beautiful love interest. Did I mention that I'm a fan of 19th century prose?Quiller-Couch doubtless had his merits as a 19th century writer. He ain't no Stevenson.Q-C's contribution to St. Ives lacks the prepossessing heartiness of Stevenson's dialogue and storyline.Q-C can't quite gin up the panache and persiflage that RLS animates on nearly every page.Q-C makes a too sincere but unavailing effort to match the rural patois that Stevenson offers for the reader's delight.Q-C bungles the parlous adventures of the eponymous protagonist, injecting a wretched slapstick element that leads an RLS fan to transition uncomfortably into pursed-lips mode.Stevenson's prosaic mastery is, sadly, missing in the last VI chapters of St. Ives, and, therefore, ignorance shall be my penalty for closing this truncated masterpiece before I reached the end.Read more on my blog: Barley Literate
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