Kamis, 31 Mei 2012

Turn Left at November: Poems, by Wendy Rathbone

Turn Left at November: Poems, by Wendy Rathbone

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Turn Left at November: Poems, by Wendy Rathbone

Turn Left at November: Poems, by Wendy Rathbone



Turn Left at November: Poems, by Wendy Rathbone

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Visit realms of diamond rain,dust-folk lands and valleys of curses and shame. Reside in the burning moonships of the dream, the silt of stars, the asphyxiation of the waking day. Meet the golden android who hosts your soul. Journey through tatters of stardust down roads of sorrow. Find hope in planets of candles and crazy-eyed mermen. There you will meet November in these rich and evocative poems by Wendy Rathbone. Since the mid-1980s, Wendy Rathbone has had over 500 poems published in both mainstream and genre. This is her eighth professional chapbook.

Turn Left at November: Poems, by Wendy Rathbone

  • Amazon Sales Rank: #4522870 in Books
  • Published on: 2015-11-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .21" w x 5.00" l, .22 pounds
  • Binding: Paperback
  • 82 pages
Turn Left at November: Poems, by Wendy Rathbone

About the Author Since the mid-‘80s Wendy Rathbone has had over 500 poems published in both mainstream and genre venues. She’s had seven chapbooks published from seven different publishers and recently they were all gathered together in an omnibus edition, “Unearthly,” available on Kindle from Amazon which also includes her first place award-winning chapbook “Scrying the River Styx” from the Anamnesis Press chapbook contest. Wendy has been nominated over a dozen times for the Science Fiction Poetry Association’s Rhysling Award, and for their Dwarf Star short-short poetry award. Her most recent work can be found in: Asimov’s SF, Pedestal Magazine, Dreams and Nightmares, Scifikuest, Horror Writers of America Poetry Showcase, One Sentence Poems, Mythic Delirium, and more. A brand new short story, “I Keep the Dark That is Your Pain,” is also out in the pivotal 2015 anthology: A Darke Phantastique. Her soft sf novel “Letters to an Android” is on Amazon Kindle and in paperback; it is a book of festering green skies, haiku, star boats and emotional androids. Wendy is also the author of the scifi novel “Pale Zenith” (Eye Scry Publications) and its accompanying two-story volume, “Moltenrose.” Her short story collection, “Beneath the Blue Dusk and the Sea” is also just out, as well as several male/male romances including a vampire-fairy novel, “Lace.” She lives in the high desert of Yucca Valley, CA with her partner of 35 years, three dogs and three cats. She talks about writing and does mini-interviews with other authors at her blog, “From the Left Dimension”... http://wendyrathbone.blogspot.com


Turn Left at November: Poems, by Wendy Rathbone

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Most helpful customer reviews

0 of 0 people found the following review helpful. somewhat sad, a book of love By Jackie Zoost A lovely little book. Somewhat melancholy, somewhat sad, a book of love.Beautifully written by a wonderfully poetic writer.If you like poetry you will love this one.

0 of 0 people found the following review helpful. unique and thoughtful By Kym Hansen Really beautiful and unique, evoking the emotions of autumn and early winter. Many of the poems are also spooky or sad, and thought provoking, with unusual word use.

0 of 0 people found the following review helpful. Autumnal beauty By Jennifer Blackford A lovely package of thoroughly evocative poems. Gulp them down in one autumnal sitting, or savour the richness of two or three at a time. Highly recommended.

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Turn Left at November: Poems, by Wendy Rathbone

Turn Left at November: Poems, by Wendy Rathbone

Turn Left at November: Poems, by Wendy Rathbone
Turn Left at November: Poems, by Wendy Rathbone

Man v. Nature: Stories, by Diane Cook

Man v. Nature: Stories, by Diane Cook

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Man v. Nature: Stories, by Diane Cook

Man v. Nature: Stories, by Diane Cook



Man v. Nature: Stories, by Diane Cook

Free Ebook Online Man v. Nature: Stories, by Diane Cook

These stories expose unsuspecting men and women to the realities of nature, the primal instincts of man, and the dark humor and heartbreak of our struggle to not only thrive but survive. In Diane Cook's perilous worlds, the quotidian surface conceals an unexpected surreality that illuminates different facets of our curious, troubling, and bewildering behavior. As entertaining as it is dangerous, this accomplished collection explores the boundary between the wild and the civilized, where nature acts as a catalyst for human drama and lays bare our vulnerabilities, fears, and desires.

Man v. Nature: Stories, by Diane Cook

  • Published on: 2015-11-10
  • Formats: Audiobook, MP3 Audio
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x 5.50" w x .50" l,
  • Running time: 21600 seconds
  • Binding: MP3 CD
  • 1 pages
Man v. Nature: Stories, by Diane Cook

Review “Diane Cook’s writing is sharp, bawdy, bold and often hilarious. Her stories are refreshingly crude and her imagination is unbounded. Like her characters, Cook does what she wants. Her world is another universe, where people are wilder.” (Rebecca Curtis, author of TWENTY GRAND: AND OTHER TALES OF LOVE AND MONEY)“What I like most about these stories is that many of them are dispatches from the end of the world, and it turns out to be a surprisingly familiar place.” (Ira Glass, Host, "This American Life")“Diane Cook’s stories are like high-wattage bulbs strung across a sinister, dark land. Man V. Nature is equal parts dazzle and depth.” (Ramona Ausubel, author of No One is Here Except All of Us and A Guide to Being Born)“Man v. Nature is a knockout…every single story could make a great movie…‘Somebody’s Baby’ completely captures the crippling, animal-like vigilance of early motherhood. I had to put the book down and just sob, and I was thrilled at the same time, thinking: ‘It works! This medium really works!’” (Miranda July, New York Times Book Review)“This week, I have been reading the most astonishing book, MAN V. NATURE by Diane Cook. The stories are surreal, with the sharpest edge and in one way or another, each story reveals something raw and powerful about being human in a world where so little is in our control.” (Roxane Gay)“MAN V. NATURE is as close to experiencing a Picasso as literature can get: the worlds in Diane Cook’s impressive debut are bizarre, vertiginous, funny, pushed to the extreme-but just familiar enough in their nuances of the human condition to evoke an irresistible, around-the-corner reality.” (Tea Obreht, author of THE TIGER'S WIFE)“Man V. Nature could also be called Diane Cook V. The Challenges of Writing Fresh, Invigorating Fiction in Our Age. In the latter contest, Cook crushes. Here is a bold debut.” (Sam Lipsyte, author of HOME LAND)“Here’s a good rule: If Diane Cook wrote it, read it…Safety is tenuous, if not an illusion, in her thoughtful, unsettling, and darkly funny collection.” (Boston Globe)“This debut story collection takes the familiar narrative conflict and applies it to contemporary characters. The capriciousness of the natural world in Cook’s stories colors them with a Romantic, almost surreal light that fans of Megan Mayhew Bergman are sure to appreciate.” (Huffington Post, "Best Books of the Fall")“Masterful…Each darkly comic modern fable reveals our societal preoccupations -- with status, sex, motherhood, belonging -- for what they really are: thin veneers over our ever-present animal selves, ready to crack at the merest provocation. A book that’ll grab your attention and keep you thinking.” (Helene Wecker, author of THE GOLEM AND THE JINNI)“Lively, apocalypse-tinged tales…Cook mines the moments that precede the losses-when the battles are truly raging-and it’s in them that she finds great beauty and strangeness…And, in the end, this collection suggests, meaning might be worth the battle.” (New York Times Book Review)“[Cook] puts forth idiosyncratic and twisted conceits, but delivers the narrative goods when it comes to depicting the tragic, emotional lives of her characters… Like the best kind of fiction, the reader is left with much to think about within the broad realms of sex, death, love and friendship.” (San Francisco Chronicle)“A dark pleasure...In ‘Meteorologist Dave Santana’ sex happens less often than the desperate, older woman (the meteorologist’s neighbor) would like. Cook is a young woman imagining an older woman’s need, and not charitably. But if Cook is anything like me, that desperate neighbor is herself. I’ve never really felt young.” (Miranda July, Goodreads "Good Minds Suggest")“Masterly.” (New York Times "Paperback Row")“Seethes with heat, rejection and twisted perception…I found myself enthralled by all of the stories in this collection. Not only are they surprising, but also fresh, funny, sad, often surreal and oddly true.” (Omnivoracious)“Quirkiness abounds, with several fairy-tale tropes thrown in for good measure...Some stories jump off the page...all are oddly charming.” (Publishers Weekly)“I couldn’t pry myself away from MAN V. NATURE . . . The stories are grim, violent, and darkly funny, but never so far removed from our most human urges to seem TOTALLY implausible.” (Buzzfeed, "5 Great Books to Read in December")“Potent and unnerving…stark spookiness in the vein of Shirley Jackson and William Golding…[and] a lonely weirdness like that of Aimee Bender and George Saunders…Cook writes assuredly of archetypal terror and even more insightfully of hunger-for food, friendship, love, and above all, survival. A canny, refined, and reverberating debut.” (Donna Seaman, Booklist)“Hunger, despair, and perpetual awe for the collapsing natural world and the vulnerability of existence therein. Apply liberally before exposure to the elements. Contents include truth and other known allergens.” (Flavorwire, "28 Feminist Writers Recommend Books Every Man Should Read")“This past month I discovered Diane Cook and had many moments of story-delight, really just too many to count, because Diane Cook is that good. . . . Cook’s writing is lively and frank.” (Impose Magazine)“MAN V. NATURE may be Diane Cook’s first book, but the former “This American Life” producer’s work is impressively precocious--making it our favorite short-story collection of October.” (GQ)“Irresistible reading...The author probes her characters’ psychological depths in weird and wonderful ways...With MAN V. NATURE Cook makes a bold, original debut.” (San Jose Mercury News)“Beautifully written dystopian short story collection.” (Jezebel)“When people ask me the desert island question, I usually say this is the book I’d bring...Her stories about survival amid the brutalities of nature are bracing primers for the apocalypse. (San Francisco Weekly, "10 Bay Area Women You Should Read Now")

From the Back Cover

A refreshingly imaginative, daring debut collection of stories that illuminates with audacious wit the complexity of human behavior, and the veneer of civilization over our darkest urges.

Told with perfect rhythm and unyielding brutality, these stories expose unsuspecting men and women to the realities of nature, the primal instincts of man, and the dark humor and heartbreak of our struggle to not only thrive, but survive. In "Girl on Girl," a high school freshman goes to disturbing lengths to help an old friend. An insatiable temptress pursues the one man she can't have in "Meteorologist Dave Santana." And in the title story, a long-fraught friendship comes undone when three buddies get impossibly lost on a lake it is impossible to get lost on. Below the quotidian surface of Diane Cook's worlds lurks an unexpected surreality that reveals our most curious, troubling, and bewildering behavior.

Other stories explore situations pulled directly from the wild, imposing on human lives the danger, tension, and precariousness of the natural world: a pack of "not-needed" boys takes refuge in a murky forest where they compete against one another for their next meal; an alpha male is pursued through city streets by murderous rivals and desirous women; helpless newborns are snatched from their suburban yards by a man who stalks them. Through these characters Cook asks: What is at the root of our most heartless, selfish impulses? Why are people drawn together in such messy, needful ways? When the unexpected intrudes upon the routine, what do we discover about ourselves?

As entertaining as it is dangerous, this accomplished collection explores the boundary between the wild and the civilized, where nature acts as a catalyst for human drama and lays bare our vulnerabilities, fears, and desires.

About the Author Diane Cook's fiction has been published in Harper's, Granta, Tin House, Zoetrope, One Story, Guernica, and elsewhere. Her nonfiction has appeared in the New York Times magazine and on This American Life, where she worked as a radio producer for six years. She earned an MFA from Columbia University, where she was a Teaching Fellow. She lives in Oakland, California.


Man v. Nature: Stories, by Diane Cook

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Most helpful customer reviews

10 of 10 people found the following review helpful. Supremely imaginative and very dark literary fiction By Daffy Du Man v. Nature is a collection of short stories so imaginative and so beautifully written that I honestly can't say I've ever read anything quite like them. At the same time, they are so bleak and dystopian that at times I was tempted to stop reading. Not exactly what I wanted before bedtime!Each story is a fully realized depiction of a strange, even surreal world that bears considerable resemblance to ours...refracted through a nightmare. A flooded town where only a few lucky neighbors still live in their homes, one embracing all the displaced, the other spurning them entirely. Three friends who are stranded in the middle of a lake and one discovers that his friendship with the other two was a farce. A woman who's obsessed with her neighbor, a TV weatherman. A violent city where the streets are peopled by marauding gangs and a family tried to survive with a child who quickly grows outlandishly large. A woman whose good fortune attracts hordes of people to her home until she has no privacy, no life except caring for their needs. And perhaps the most disturbing, a world where the state declares certain ten-year-old boys "not needed" and takes them away to be incinerated...unless they escape.Man v. Nature is a dark, dark book--the kind where it's hard to stop reading even as you're profoundly disturbed by what's on the page. It's that darkness that prompted me to deduct a star. This is literary fiction--make no mistake--but there is an undercurrent of brutality, where the unthinkable--and unimaginable--are commonplace and ordinary people find themselves carried along a tide transporting them to strange, untimely ends.

17 of 19 people found the following review helpful. Captivating collection By Amazon Customer I read Diane Cook's short story "Bounty" in Harper's magazine and was intrigued, so I picked this up, her first collection of stories ("Bounty" was retitled "The Way the End of Days Should Be" for this collection).Cook said in an interview "I like thinking about the ways that people are still animals -- possess animal...ways but also try to hide and deny that lineage with civilization, rules, structures, rational thinking." In the stories, civilization has broken down, or people have become cut off from it, or it has devolved in some way, and the characters respond in surprising, sometimes animal ways.The stories have an element of the surreal, but they are grounded in recognizable human behavior. "It's Coming," for example, takes place in a world where mass attacks are everyday occurrences, but it's also a darkly humorous send-up of office politics.The best stories, such as the title story and the two I've already mentioned, follow vivid characters through often unusual situations. The prose is succinct and the story flows seemingly effortlessly.I didn't love all the stories. In some, like "Somebody's Baby," the surrealism seems to take over the story, and what is revealed about the characters is less interesting than in other stories. But I appreciate that Cook is trying to do something different and interesting, and when she succeeds, the stories are captivating.

13 of 14 people found the following review helpful. There's craft here, but the stories didn't engage me as I'd hoped they would By P. Mann The stories in this collection are characterized by the bizarre, almost in a science-fiction way. In the first story, "Moving On," the narrator's husband dies, so she is sent to a "women's shelter," which is, in the world of the story, a place where young, no longer married women go to forget about their husbands and perhaps be chosen by another man so that they can leave and resume married life. (There is also a men's shelter across the way.) In "Girl on Girl," a high-school frosh sees her former friend apparently being beaten in a school bathroom and tells teachers what has happened. But was the victim really a victim when she seemed to encourage the beating? And if it was a beating, why was it at the hands of the victim's friends? In "Marrying Up," the narrator goes through husbands rather quickly, first marrying for love, then marrying a stronger man, and then marrying a much stronger man. She needs to because the world "got bad," and her husbands go outside only to be attacked by hoards. Violence, it seems, is always right outside the front door. In "Flotsam," a woman with more than one male lover finds that every time she does laundry, children's clothes somehow appear amid her clothing.The other eight stories follow, to varying degrees, similar patterns.In general, I simply did not find the stories emotionally engaging. They seem like exercises in metaphor or allegory. In some, like "Moving On," I had the sense that there was an important point but that I simply couldn't see it. In others, like "Flotsam," I got the point pretty quickly but still failed to see why it needed to be made in the way it was.To be sure, I admired the craft in a few of the stories. But I found them somewhat cold and distant, and, taken as a whole, the book seemed to be much of the same from story to story. Had I read one, two, or three stories, I think I might have found them worth contemplating and studying. Then again, that's just my reaction. I love reading, especially love the short story form, and yet found myself curiously at a distance here.

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Man v. Nature: Stories, by Diane Cook

Man v. Nature: Stories, by Diane Cook

Man v. Nature: Stories, by Diane Cook
Man v. Nature: Stories, by Diane Cook

Selasa, 29 Mei 2012

Empty Hotel Rooms Meant for Us, by Christina Hart

Empty Hotel Rooms Meant for Us, by Christina Hart

As one of the book compilations to recommend, this Empty Hotel Rooms Meant For Us, By Christina Hart has some solid factors for you to check out. This book is very ideal with what you require now. Besides, you will also enjoy this book Empty Hotel Rooms Meant For Us, By Christina Hart to check out since this is among your referred books to review. When going to get something new based on encounter, home entertainment, and other lesson, you could utilize this publication Empty Hotel Rooms Meant For Us, By Christina Hart as the bridge. Starting to have reading routine can be undertaken from various means and also from variant kinds of books

Empty Hotel Rooms Meant for Us, by Christina Hart

Empty Hotel Rooms Meant for Us, by Christina Hart



Empty Hotel Rooms Meant for Us, by Christina Hart

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This collection of poetry focuses on dismembered loves, present and past, as past lovers aren't actually in the past for the author. She carries parts of them with her, even though their hearts are no longer hers.

Empty Hotel Rooms Meant for Us, by Christina Hart

  • Amazon Sales Rank: #515377 in Books
  • Published on: 2015-11-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .11" w x 5.00" l, .13 pounds
  • Binding: Paperback
  • 44 pages
Empty Hotel Rooms Meant for Us, by Christina Hart


Empty Hotel Rooms Meant for Us, by Christina Hart

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Most helpful customer reviews

1 of 1 people found the following review helpful. Definitely a defined genre of poetry By Josh Dale Another broken lover's plight motif. Hart seems to be defining her poetic voice as she goes yet there are some memorable pieces. Enjoyed the cover art too.

0 of 0 people found the following review helpful. A familiar trip down to forgotten bitterness and secret smiles By Deondre Holmes I was pleasantly surprised when I picked up Ms. Hart's book. Each poem in it reminded me of a love unrequited, abandoned, or lost that at some point gripped me me hard and formed me I'm to the man and writer that I am today. Each poem is laid out to be taken either straight and plain or debated as to the deeper meaning, and rather to be taken as a positive written piece, or a heartfelt lamentation. My only "complaint" is that upon reading it, it seemed to end so soon; However, as some would say, such is love.Hart writes with honesty. I greatly look forward to more of her work.

0 of 0 people found the following review helpful. Poignant and heartfelt By Pru Axon Just as the cold colour of sunlight through the window on a winter morning, this book effortlessly conjures an atmosphere of gentle loneliness as you wander through the author's landscape of leftover love. It is beautiful in a way that crumpled sheets on an abandoned bed can be - you know something magnificent happened, now here is the story of what comes after that. Resonating, captivating and haunting, "Empty Hotel Rooms Meant for Us" is a short but lovely journey into a familiar space so many of us have known.

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Empty Hotel Rooms Meant for Us, by Christina Hart

Empty Hotel Rooms Meant for Us, by Christina Hart

Empty Hotel Rooms Meant for Us, by Christina Hart
Empty Hotel Rooms Meant for Us, by Christina Hart

Senin, 28 Mei 2012

The Problems of Philosophy, by Bertrand Russell

The Problems of Philosophy, by Bertrand Russell

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The Problems of Philosophy, by Bertrand Russell

The Problems of Philosophy, by Bertrand Russell



The Problems of Philosophy, by Bertrand Russell

Download PDF Ebook Online The Problems of Philosophy, by Bertrand Russell

Is there any knowledge in the world which is so certain that no reasonable man could doubt it? This question, which at first sight might not seem difficult, is really one of the most difficult that can be asked. When we have realized the obstacles in the way of a straightforward and confident answer, we shall be well launched on the study of philosophy—for philosophy is merely the attempt to answer such ultimate questions, not carelessly and dogmatically, as we do in ordinary life and even in the sciences, but critically, after exploring all that makes such questions puzzling, and after realizing all the vagueness and confusion that underlie our ordinary ideas.

The Problems of Philosophy, by Bertrand Russell

  • Published on: 2015-11-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .32" w x 6.00" l, .44 pounds
  • Binding: Paperback
  • 142 pages
The Problems of Philosophy, by Bertrand Russell

Review "Treats its subject in a way that will arouse the interest of any one who has any latent ability to become interested in it." --The New York Times

From the Back Cover Clear and accessible, this little book is an intelligible and stimulating guide to those problems of philosophy which often mistakenly make the subject seem too lofty and abstruse for the lay mind.

About the Author Bertrand Russell (1872-1970) was born in England and educated at Trinity College, Cambridge. His long career established him as one of the most influential philosophers, mathematicians, and social reformers of the twentieth century.


The Problems of Philosophy, by Bertrand Russell

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238 of 246 people found the following review helpful. Highly Recommended By A. Pedersen I bought this book because it was recommended for further reading in my philosophy class. I figured it was going to be a pure drag...you know, huge words, vague sentences, so on and so on. I have to say that this book is the complete opposite. Bertrand Russell brings the topics right down to earth and explains them in a way that the average person can understand. The last chapter, "The Value of Philosophy" is written with beautiful style and is an enjoyment to read. Here is a quote from this chapter:"Philosophy, though unable to tell us with certainty what is the true answer to the doubts which it raises, is able to suggest many possibilities which enlarge our thoughts and free them from the tyranny of custom. Thus, while diminishing our feeling of certainty as to what things are, it greatly increases our knowledge as to what they may be; it removes the somewhat arrogant dogmatism of those who have never traveled into the region of liberating doubt, and it keeps alive our sense of wonder by showing familiar things in an unfamiliar aspect."This book definitely has sparked in me an interest in philosophy. If you are even remotely interested in the subject, I recommend you buying it too.

57 of 59 people found the following review helpful. Thought-provoking... By A Customer This book was my first foray into philosophy, and surprisingly, it proved to be very enjoyable. For many, just the word "philosophy" evokes images of ancient thinkers, yet not in a very appealing light: old men sitting around, absent-mindedly stroking their chins as they ponder the meaning of life. Yet, philosophy does not deserve this reputation. It is not just some hobby for stodgy elders, or those with nothing better to do. Rather, it is quite the opposite; it is an endlessly intriguing subject, one which causes you to consider things you may have never thought of before. Survive the test, and the reaffirmation that results will be worth it.Philosophy contains no easy answers. It poses a myriad of questions which can force one to doubt, and even reexamine, one's beliefs -- even those which previously seemed so resolute. This may at first be difficult or discombobulating, but persistance is rewarded with an even stronger foundation than before.I will not attempt to summarize this book, as people before me have already explained it sufficiently. However, I will say that this book was a great influence, and a wonderful introduction to the world of philosophy. For such an abstruse and "deep" matter, one would think that most would be intimidated; however, Russell handles it splendidly. He writes in a lucid, unpretentious manner, and spares the reader any unnecessary confusion.Even to this day, my friends tease me about "philosophy of a table." It is impossible for me to adequately describe this book, but let me say that it is brilliant and refreshing. For me, philosophy is not meant to give an individual a headache. It is simply for those who wish to gain a better understanding of themselves and their surroundings. And this book, exceptional in its quality, is an excellent choice to get you started on that interminable journey towards the ever so elusive Truth.

21 of 21 people found the following review helpful. An Enticing Introduction To Philosophy/Epistemology By Taos Turner "Philosophy aims primarily at knowledge," says Bertrand Russell. "But it cannot be maintained that philosophy has had any very great measure of success in its attempts to provide definite answers to its questions."With that caveat, which comes in the last chapter of The Problems of Philosophy, Russell defines in part what philosophy is and what it can accomplish. The definition casts a rather dim light over the field of philosophy, calling into questions its value as a discipline worthy of our attention. But Russell goes on to say that philosophy's value won't be found in its ability to provide answers ("since no definite answers can, as a rule, be known to be true"). Instead, philosophy is valuable "for the sake of the questions themselves.""These questions enlarge our conception of what is possible, enrich our intellectual imagination and diminish the dogmatic assurance which closes the mind against speculation," notes Russell. He says our minds are "rendered great" when we contemplate "the greatness of the universe." This enables our minds to form a "union with the universe which constitutes its highest good."In the pages that precede this final chapter on the value of philosophy, Russell highlights the questions he considers to be most "positive" and "constructive." In his view, philosophy's most important questions relate to epistemology, or the theory of knowledge. As a result, most of this book deals with questions like these:What is the difference between appearance and reality?What is a belief? What is the relationship between beliefs and facts?What, if anything, can we know for certain?What is the difference between deductive and inductive reasoning?What is intuitive knowledge?What is truth? How can we distinguish between truth and falsehood?Russell doesn't always provide "definite answers" to these questions. Yet he does a marvelous job of helping us to think through them in creative and logically sound ways.The Problems of Philosophy is a brief book that packs a nice punch. It is easy to read, smoothly written, and will likely appeal almost anyone interested in philosophy. Perhaps the biggest problem with the Problems of Philosophy is its narrow scope. The book fails completely to address many of the problems that people often associate with philosophy. Because of this, I would give the book four stars, not the five shown above. Russell makes almost no mention of ethics or morality. He also avoids God, religion, evil, value, aesthetics, philosophy of mind, and the list goes on. But this is a flaw that can be forgiven - for what Russell sacrifices in scope, he makes up for in clarity and style. He often attaches practical examples to more abstract ideas, and this makes the problems of philosophy more understandable for everyone.One may agree or not with Russell's assertions, but most will appreciate his ability to take some of philosophy's classic problems and make them digestible, almost entertaining to the average reader. This is an enjoyable book that is just as relevant today as when it was first published in 1912.

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Minggu, 27 Mei 2012

The Image of the Enemy: Intelligence Analysis of Adversaries since 1945From Georgetown University Press

The Image of the Enemy: Intelligence Analysis of Adversaries since 1945From Georgetown University Press

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The Image of the Enemy: Intelligence Analysis of Adversaries since 1945From Georgetown University Press

The Image of the Enemy: Intelligence Analysis of Adversaries since 1945From Georgetown University Press



The Image of the Enemy: Intelligence Analysis of Adversaries since 1945From Georgetown University Press

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Intelligence agencies spend huge sums of money to collect and analyze vast quantities of national security data for their political leaders. How well is this intelligence analyzed, how often is it acted on by policymakers, and does it have a positive or negative effect on decision making? Drawing on declassified documents, interviews with intelligence veterans and policymakers, and other sources, The Image of the Enemy breaks new ground as it examines how seven countries analyzed and used intelligence to shape their understanding of their main adversary. The cases in the book include the Soviet Union's analysis of the United States (and vice versa), East Germany's analysis of West Germany (and vice versa), British intelligence in the early years of the Troubles in Northern Ireland, Israeli intelligence about the Palestinians, Pakistani intelligence on India, and US intelligence about Islamist terrorists.These rivalries provide rich case studies for scholars and offer today's analysts and policymakers the opportunity to closely evaluate past successes and failures in intelligence analysis and the best ways to give information support to policymakers. Using these lessons from the past, they can move forward to improve analysis of current adversaries and future threats.

The Image of the Enemy: Intelligence Analysis of Adversaries since 1945From Georgetown University Press

  • Amazon Sales Rank: #1425194 in Books
  • Published on: 2015-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .80" w x 6.10" l, .96 pounds
  • Binding: Paperback
  • 312 pages
The Image of the Enemy: Intelligence Analysis of Adversaries since 1945From Georgetown University Press

Review

"How should we know about our enemy? How do we know we are right in our estimations? These are two of the most persistent questions confronting intelligence agencies. The Image of the Enemy is a remarkable book that addresses these issues directly and thoughtfully. It is full of revelations and remarkable observations that will surprise even those who thought they knew about intelligence analysis."―Richard Aldrich, Professor, Politics and International Studies, University of Warwick

About the Author Paul Maddrell is a lecturer in modern history in the Department of Politics, History, and International Relations at Loughborough University (UK). He is the author of Spying on Science: Western Intelligence in Divided Germany, 1945–1961.


The Image of the Enemy: Intelligence Analysis of Adversaries since 1945From Georgetown University Press

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1 of 1 people found the following review helpful. Good book on the subject but some chapters were very dull. A couple were quite fascinating. By Bayard B. Pretty good book on the accomplishments (or lack thereof) of several national intelligence organizations in the world. On the other hand, the style is dullsville (which is why I didn't give it the four stars that it otherwise deserves).Somewhat surprisingly, I thought one of the most interesting chapters was on the Pakistani intelligence agencies. The reason is because the Pakistani intelligence system is almost incapable of providing objective analysis of anything. It's ethos is completely blinded by its personnels' (i.e., the army's) hatred of India. It is also apparently heavily influenced by extremist Islamic viewpoints. Any analyses and reports reflect what the leadership of the intelligence agencies want to hear. In any case, it probably doesn't matter because the government leaders ignore anything that doesn't fit their preconceived notions.The other chapter that I found most interesting was the former Sovier Union's intelligence assessments of the United States and western Europe. The various intelligence agencies and academic organizations in the USSR could not provide objective assessments of the US and Western European (especially West German) political and economic systems because of the required Marxist - Leninist viewpoints. Every financial hiccough or economic crisis (whether severe or slight) was analysed as foreshadowing the demise of the entire capitalist system. What is particularly fascinating is that those same agencies and organizations were incapable of observing and objectively analyzing the economic decline and ultimate collapse of the USSR's economy. With the information now available, the USSR started experiencing significant economic problems in the 1970s and it got continually worse into the 1980s when the whole system finally just became unglued.Other intelligence agencies discussed include those of Israel, the US, West Germany (FRG), East Germany (GDR), and the UK. The chapters were loaded with information and analysis of capabilities and successes and failures, but I just didn't find them very exciting.

0 of 1 people found the following review helpful. Five Stars By Laurie A Young Great

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The Image of the Enemy: Intelligence Analysis of Adversaries since 1945From Georgetown University Press

The Image of the Enemy: Intelligence Analysis of Adversaries since 1945From Georgetown University Press

The Image of the Enemy: Intelligence Analysis of Adversaries since 1945From Georgetown University Press
The Image of the Enemy: Intelligence Analysis of Adversaries since 1945From Georgetown University Press

Senin, 21 Mei 2012

Duet of Dots (Japanese Edition), by Maki Starfield, Narlan Matos

Duet of Dots (Japanese Edition), by Maki Starfield, Narlan Matos

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Duet of Dots (Japanese Edition), by Maki Starfield, Narlan Matos

Duet of Dots (Japanese Edition), by Maki Starfield, Narlan Matos



Duet of Dots (Japanese Edition), by Maki Starfield, Narlan Matos

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"The Duet of Dots" is the first collection by Narlan Matos, who is the most important emerging poet of today's Latin America and the Japanese poetess Maki Starfield. One of the biggest virtues of Narlan Matos' poetry is his capacity to listen and to identify the deepest problems of our times, in art and social criticism. The vigor, generosity and wisdom of Narlan Matos' poetry confer him the category of a universal poet. On the other hand, the appeal of the poems of Maki Starfield is in pursue of the human condition reality in the world of enlightenment through self-reflection in the 3-line poem style, based on haiku. The words of the two young promising poets can be said to be a product of resonance of their souls into one melody like a place where the East and the West merge. 『ē‚¹ć®äŗŒé‡å„』ćÆćƒ–ćƒ©ć‚øćƒ«ć§ęœ€ć‚‚č‹„ę‰‹č©©äŗŗćØć—ć¦ęœ‰åćŖćƒŠćƒ¼ćƒ©ćƒ³・ćƒžćƒˆć‚¹ę°ćØę—„ęœ¬č©©äŗŗ惞悭・ć‚¹ć‚æćƒ¼ćƒ•ć‚£ćƒ¼ćƒ«ćƒ‰ę°ć«ć‚ˆć‚‹åˆć‚ć¦ć®å…±č‘—č©©é›†ć§ć‚ć‚‹。 ćƒŠćƒ¼ćƒ©ćƒ³・ćƒžćƒˆć‚¹ę°ć®č©©ć®ęœ€å¤§ć®é­…åŠ›ć®äø€ć¤ćÆ、ē¾ä»£ć«ćŠć‘ć‚‹ę·±ć„å•é”Œć‚’čŠø蔓悄ē¤¾ä¼šę‰¹åˆ¤ć®ē‚¹ć‹ć‚‰č€³ć‚’å‚¾ć‘、ę˜Žć‚‰ć‹ć«ć—ć¦ć„ć‚‹ć“ćØ恠。čæ«åŠ›・åÆ›å¤§ć•・英ēŸ„ć®é¢ćŠć„ć¦å½¼ćÆę™®éēš„č©©äŗŗćØčØ€ćˆć‚‹ć ć‚ć†。äø€ę–¹、惞悭・ć‚¹ć‚æćƒ¼ćƒ•ć‚£ćƒ¼ćƒ«ćƒ‰ę°ć®č©©ć®é­…åŠ›ćÆ、äæ³å„悒åŸŗē›¤ćØ恗恟ļ¼“č”Œč©©ć‚¹ć‚æć‚¤ćƒ«ć§「č‡Ŗå·±ć‚’č¦‹ć¤ć‚ć‚‹」ę‚Ÿć‚Šć®äø–ē•Œć§äŗŗé–“ć®ęœ¬å½“ć®å§æ悒čæ½ę±‚恗恦恄悋恓ćØ恠。äŗŒäŗŗć®č‹„ę‰‹ęœ‰ęœ›č©©äŗŗćŒę±č„æ悒恤ćŖ恐ē‚¹ć®ć‚ˆć†ć«、魂悒éŸæćåˆć‚ć›ć¦ć„ć‚‹ä½œå“ćØčØ€ćˆć‚‹。

Duet of Dots (Japanese Edition), by Maki Starfield, Narlan Matos

  • Amazon Sales Rank: #2592874 in eBooks
  • Published on: 2015-11-28
  • Released on: 2015-11-28
  • Format: Kindle eBook
Duet of Dots (Japanese Edition), by Maki Starfield, Narlan Matos


Duet of Dots (Japanese Edition), by Maki Starfield, Narlan Matos

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1 of 1 people found the following review helpful. Five Stars By Xcarl wonderful

0 of 0 people found the following review helpful. Five Stars By Mary That's beautiful harmony between the two poets.

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Duet of Dots (Japanese Edition), by Maki Starfield, Narlan Matos
Duet of Dots (Japanese Edition), by Maki Starfield, Narlan Matos

Sabtu, 19 Mei 2012

Lucky Number 9: Journey of a Rubber Tapper's Daughter, by Rina Tham

Lucky Number 9: Journey of a Rubber Tapper's Daughter, by Rina Tham

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Lucky Number 9: Journey of a Rubber Tapper's Daughter, by Rina Tham

Lucky Number 9: Journey of a Rubber Tapper's Daughter, by Rina Tham



Lucky Number 9: Journey of a Rubber Tapper's Daughter, by Rina Tham

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People who have nine as their lucky number never, ever stop weaving their dreams….

If you live with your heart open, fear becomes an adventure….

I was ready, I guess. I was of age. In many ways, I had less than most—living on the plantation, saving pennies for food, fighting for floor space by the window, never seeing Father, tapping trees at dawn with Mother. And then there was my arm: I was leaving home with a terrible secret hidden under the sleeve of my blouse…. But I was leaving with a good education. I had a strong foundation in several faiths. I was a hard worker, and honesty came easy. I did not have much of an ego left, but that would later prove to be advantageous. I had birds of paradise, monkeys swinging from trees, the roosters crowing at dawn. I had sunshine, and warm rain on my cheeks reminding me that life is about moments. There were shiny rubber tree seeds in my pocket representing the power and beauty of growth. Mostly, I was leaving with Mother’s voice in my heart; it made me feel safe, as safe as a girl with only one good arm could feel….

I had an incredible childhood, if you think about it. I literally won the lotto when it came to school. And those diamonds in my pocket were priceless to me. They were the reason I had anything at all. My arm brought panic, but sports changed my life. When I threw the shot putt, no one stared at the scars on my arm. Their eyes followed the path of the ball. And then they cheered. They always cheered more loudly than I thought my throw deserved. My childhood has been blessed. It’s perspective, I guess….

And when I left my mother’s arms, I felt joy and freedom. And this girl who made all Cs in school found more success than she ever could have dreamed. Despite my rather busy career life, I perpetuated extra-curricular traveling activities, too. I have hiked Mount Bromo in Indonesia; Mount Kota Kinabalu, Malaysia; Mount Sinai, Isreal. I took a Viking Cruise from Sweden to Norway and Finland. I've cruised along the Yangzi River in China; the Nile River in Egypt; Niagara Falls, Canada; Galapagos Islands, and the Amazon River in Peru. I went scuba diving in San Lucas in the Caribbean. I learned to Surf in Hawaii and California. I took a Sand, Surf & Air Balloon ride to watch the sun set in Dubai. I hit the slopes in Australia, Switzerland, Prague, America. With a pack on my back, I traveled all over. And this is the best, I parachuted out of a plane from 20,000 feet at Perris Lake, California.

But I was always searching for peace in the jungles of Malaysia, the Sistine Chapel, and the Krishna Temple. In marathons in Hong Kong, Europe, and Malaysia. I prayed in the temple in Sri Lanka. Prague? Berlin? They were fascinating. I’m so blessed, but life was not still when I visited those places. That came gradually.

“Peace starts from within in the hearts of each of us.” Gandhi said that. It was the Father of India’s message to the world. Everyone can make a difference. It brings me great peace to visit this temple and see the shrine to Gandhi. I like to meditate and feel the serene energy on the lake there too. I look forward to daily meditations. I have found balance; it anchors my soul. At last I have found my way home.

Whether I am with my Buddhist mother, my Jewish husband, or the Headmistress at the Catholic Convent School, I am one with everyone, as they are with me, as we are all one with the Source. It's a very free way of thinking. I don't know that it’s for everyone. I just know it’s for me.

Even though we were poor, those six years at Chinese school took that feeling of wanting away. I was too busy, for starters, to think about my secondhand shoes. Education helped my self-esteem immensely. And the school had this grand church bell announcing a new day. It should have been at the top of the Notre Dame Cathedral, this magnificent bell, not at my little school. I can still hear it today: music to my ears.

Lucky Number 9: Journey of a Rubber Tapper's Daughter, by Rina Tham

  • Amazon Sales Rank: #330441 in Books
  • Published on: 2015-09-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .53" w x 6.00" l, .70 pounds
  • Binding: Paperback
  • 232 pages
Lucky Number 9: Journey of a Rubber Tapper's Daughter, by Rina Tham

About the Author In 2003, Lisa Cerasoli met with Ken Atchity about her screenplay. He said, Sounds like a novel. She started writing while simultaneously leaving for Michigan to care for her Dad. On the Brink of Bliss & Insanity was the result. It won The London & L.A. Book Festivals. As Nora Jo Fades Away, 2010 Paris Book Festival winner, evolved when Lisa & family took in her gram upon diagnosis of Alzheimer's. Lisa refers her documentary, 14 DAYS with Alzheimer's, as the sequel to her memoir.


Lucky Number 9: Journey of a Rubber Tapper's Daughter, by Rina Tham

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2 of 2 people found the following review helpful. Rina Tham's very compelling, story, interweaves the multiple ... By Amazon Customer Rina Tham's very compelling, story, interweaves the multiple influences that shaped her life. Beginning with a traumatic accident in her youth, and her family's difficult economic circumstances, Tham shows the transformative possibilities of even these difficult life events.Through persistence and hard work she inspires one to try just a little harder. Her openness to many different kinds of experiences both spiritual and physical suggests that hope and faith are very important ingredients in success. A very inspiring read that no one should miss out on.

1 of 1 people found the following review helpful. Great Read and Inspiration for Young Adults By Maggie Gwinn MFT Jungian Analyst This book is very compelling! I sat down, last night to read a few pages and read all but the last twenty, which I finished today, at work. Tham describes a "heroes journey"-- which is especially poignant because it's a girl's story--we usually hear of a boy who shows courage, endures adversity and triumphs in the end. I loved that plucky little girl, and that striving young woman, full of curiosity and dedicated to hard work in any enterprise she undertook. Tham provides a role model for young women, and not just for young women in the third world--I could imagine, for example, that a girl with a physical or economic challenge, for example, could find inspiration in Tham's story. I think of the saying, "Courage is Fear That Has Said It's Prayers." Tham's spiritual evolution was one of the most interesting parts of the story. I loved the descriptions of the jungle in Malaysia and the reunion with her father as a young adult is inspiring. I'd recommend this book to anyone who wants to motivate young people to dream big dreams and work hard to achieve them. Tham is well served by her co-writer Lisa Cerasoli. Great job, gals!

1 of 1 people found the following review helpful. A++++++! By Arju When I first heard about “Lucky Number 9” from a friend, I felt conflicted. The book is about one woman’s incredible journey from extreme poverty in the jungles of Malaysia to the ultimate triumph over adversity. It seemed inspirational overall but I was worried about the sad parts. Fortunately, author Rina Tham wrote this based on her own experiences and is amazing at staying positive and with a healthy state of mind. A positive mind-set will gear a positive outcome. I realized that was the whole point of the story and read it cover to cover! A++++++!

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Lucky Number 9: Journey of a Rubber Tapper's Daughter, by Rina Tham

Lucky Number 9: Journey of a Rubber Tapper's Daughter, by Rina Tham
Lucky Number 9: Journey of a Rubber Tapper's Daughter, by Rina Tham

Jumat, 18 Mei 2012

The Space of Literature: A Translation of "L'Espace littƩraire", by Maurice Blanchot

The Space of Literature: A Translation of "L'Espace littéraire", by Maurice Blanchot

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The Space of Literature: A Translation of "L'Espace littéraire", by Maurice Blanchot



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Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writers—among them Jean Paul Sartre and Jacques Derrida. From the 1930s through the present day, his writings have been shaping the international literary consciousness.

The Space of Literature, first published in France in 1955, is central to the development of Blanchot's thought. In it he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarmé, Kafka, Rilke, and Hölderlin. Blanchot's discussions of those writers are among the finest in any language.

The Space of Literature: A Translation of "L'Espace littéraire", by Maurice Blanchot

  • Amazon Sales Rank: #974546 in eBooks
  • Published on: 2015-11-01
  • Released on: 2015-11-01
  • Format: Kindle eBook
The Space of Literature: A Translation of "L'Espace littéraire", by Maurice Blanchot

Review "A series of fascinating, and frequently uncanny, meditations."--Year's Work in English Studies. "Authoritative analysis of the creative act... The translator's introduction is as excellent as the translation itself."--Library Journal.

Language Notes Text: English, French (translation)

From the Back Cover The Space of Literature, first published in France in 1955, is central to the development of Blanchot's thought. In it he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading as well as to nature of artistic creativity, while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarme, Kafka, Rilke, and Holderlin.


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35 of 39 people found the following review helpful. The Space of Absence By A Customer Better to read this than to read ten manuals on the subject of writing.Blanchot evokes the non-presence of death in writing, writing's necessary complicity with death. This death, however, is not the Hegelian death that would negate and finalize the subject (cf Arendt), fixing it in a form on which judgement could finally be passed. No, true to his essay on the absence of any right to death (which appears in _The Work of Fire_ and _The Station Hill Blanchot Reader_), this death never occurs. This death is never present, happens at no particular time, and happens to no one (see also _The Writing of the Disaster_). It cannot be said to happen or occur at all. It is never present, and being so, shares with writing the latter's most unearthly, strange quality - the absense of the writer and of that about which has been written.In addition to being the most profound book on writing about which I can write with any knowledge, this is also Blanchot's most coherent and accessible set of essays. They possess something of a centrality of purpose and, together, make up something of a book, rather than the collections which make up the remainder of his critical and quasi-critical work. This may be a failing in the eyes of most Blanchotophiles, but it provides a bridge from the normal style of scholarly exposition to his more challenging investigations, and can be recommended as a first approach for the reader who is unfamiliar with his work. Nevertheless, some prior acquaintance with Rilke, Mallarme, Hoelderlin, and Kafka will be of immeasurable aid.Most importantly, this one stands as its own example of writing that utterly lacks completion, that is haunted throughout with a palpable sensation of absence, a sensation that is at once as appealing as it is astonishing and unsettling.

4 of 4 people found the following review helpful. Journey to the Farthest Within By Michael H. Shenkman Many who aspire to being "more creative," are familiar with Julia Cameron's The Artist's Way. This competent and assuring book - my wife is involved in such a program now - helps people develop practices that lessen the weight and noise of practical doings so that freer, more spontaneous and generative energies can seep through and inspire creativity. Blanchot's book starts from the utterly, completely opposite pole, from that "distant interior," where any practical busy-ness is not even in sight. An "elsewhere;" (p. 71) "Art is the world overturned," he says; (p. 217) and this "...art is `true' only in the work always still to come." (p. 235).This book, like Cameron's intends a way, to be sure; but Blanchot is concerned to show the artist a way back.The Space of Literature takes up the experiential itinerary of the artist from out of the depths of this "anterior region." The book describes "the leap," called inspiration (p. 177), that is required if the artist is to move out from that pure storm, poor in moorings, rich in torrent, wind and foam, that entrances the artist's desire and bring forth the work. Then, chapter-by-chapter, section-by-section, he articulates how the artists, through works, weave fragile tendrils that span from out of the vortex back to "our" world. This movement reaches its expository climax in the poignant retelling of the Orpheus myth ("The Gaze of Orpheus"). Here Orpheus's rescue of his wife Eurydice from death and bring her back to earth fails because great artist turns his gaze back in order to behold the beloved he brings forth from that teeming underworld. Such a gaze, back toward the impetus of the artist's work, is always forbidden. But failing is the risk the artist must venture: "The work of art is linked to a risk; it is the affirmation of an extreme experience." (p. 236).Blanchot's account not only delineates the space (a non-space, really) of literature, he also takes the willing reader right up to the raging fringes in which art becomes necessary for some people: it aims right at the collision of art-generating experiencing (I call "the arteous") and language as it permeates and fails to encompass that experience; it resounds exactly with what a person in this vortex feels and realizes at that point of confliction (Blanchot knows this from his own literary writing);); he stops and takes up his pen right at the place of the darkest night, where nothing happens and pure chance sparks minute emergences -- emergences that artists, with all their living, affirm. Kafka, Mallarme and Rilke provide the focal points. Hölderlin, right at the end, enflames the whole book that preceded. Indeed Hölderlin looms over the book as the figure of the extreme experience that Blanchot cares about most and ardently seeks to convey to us.Here we sample Blanchot at his most luminous exposition: "The poet exists only poetically as the possibility of the poem, and in this sense, he only exists after it, although he stands uniquely before it. Inspiration is not the gift of the poem to someone existing already, but the gift of existence to someone who does not yet exist." (p. 227) He has thought this notion from the beginning of his authorship, and here he expresses it with poise and elegance (elsewhere, in The Work of Fire, in "The `Sacred' Speech of Hölderlin," the fire burns).For me, a mentor to the aspiring spirit, I know that when such a spirit has been freed from habituation and standards of material satisfaction, accomplishment, value and power, after the jubilation of release, the question, "How do I live now" arises as a new and daunting terror. There is little solace or reassurance to offer the sojourner who lives in the way of the artist.However, this book, maybe more than any other I have read, points to an itinerary that spirit can undertake, and can affirm. It takes the itinerary of the artist all the way through passages of death and tragedy, all the way out from the underworld and all that has been left behind there, to point to the artist's measure, composure, poise while residing right in the heart of the conflict, right in the void left in the wake of the death of God and all the gods. For Blanchot this is the way the artist comes to us, mourning what is lost in that very act of gathering and guiding the work onward toward a place among us.And yet, this book may not speak to artists. Not because it is academic or estranging, but, ironically, because it is too demystifying. For Blanchot places word markers all around the burgeoning torrents of art-making experience; and he does so with unfailing accuracy. To the artist who may hesitate to take this work on, I suggest this: Blanchot fervently desists from dissecting or characterizing the ineluctably empty core that defies and refuses articulation even as it pours itself into the life demanded by the arteous. It is still yours alone. No "analysis" relieves you of the incomprehensible enigma that incites your work.The Space of Literature does speak powerfully to certain philosophically inclined readers, to educated poets as well as to literati or critics who are willing to take a step out of the din of "interpretation" that buries art in histories and psychological mumbo-jumbo order to "save" the artist. And, I should mention, one negative note for me is Blanchot's focus on death - a notion I think we no longer have to harbor as some kind of totem of meaning the artwork must bear.Finally, Blanchot offers a narrative opening onto the "way the artist is." He lights up the sense that there is a way, and that the greats have lived it, into it, through it, and were permeated through and through by it. And maybe for unnamed others who dare Blanchot's necessary obscurities and who choose to dwell and tarry with them for a while, it will open a new horizon where artists take their places as founding breakout creatives. Their works stand apart from our daily goings on, but are there nonetheless, within reach of our most pressing urge to be fully human.He draws the curtains around this space with these words, elided here: "In the work of art, being is risked... to emerge deep down in appearance... the excess in affirmation... the true will be able to take place."Go there, with Blanchot. The journey can be made.

2 of 2 people found the following review helpful. The best Blanchot study By S. Meimaris A great classic on the subtle workings of the minds of poets and writers and on poetry and writing in general. Like the title aptly puts it, it is a study of the interior space of Literature through studies of great poets like Mallarme, Rilke, Novalis and Holderlin and author-philosophers like Nietzsche and Kafka. Extremely perceptive approach with all the extreme analyses that characterize French thought. Mostly philosophical and intended for Poetry and Philosophy buffs. Excellent translation.

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The Space of Literature: A Translation of "L'Espace littéraire", by Maurice Blanchot

The Space of Literature: A Translation of "L'Espace littéraire", by Maurice Blanchot
The Space of Literature: A Translation of "L'Espace littéraire", by Maurice Blanchot

Minggu, 13 Mei 2012

House of Doors: Surviving Love in the Rural South, by PHD E Carolyn Tucker

House of Doors: Surviving Love in the Rural South, by PHD E Carolyn Tucker

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House of Doors: Surviving Love in the Rural South, by PHD E Carolyn Tucker

House of Doors: Surviving Love in the Rural South, by PHD E Carolyn Tucker



House of Doors: Surviving Love in the Rural South, by PHD E Carolyn Tucker

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House of Doors is the story of a life reassembled and about surviving love in the Rural South

"House of Doors was written for the Katie’s in every culture. The stories offer confirmation for those who are doubted; comfort for those whose stories go unheard; consolation for those seeking guidance; community for those who are alone, neglected, or abandoned; candor for those who are desperate for truth; catalyst for those needing a gentle push to find help; compassion for those feeling guilt or shame in their loss of innocence; condemnation for those who perpetuate the “mis-love” by keeping the secrets, by looking the other way, or by refusing to believe or get involved; and celebration in the survival and triumph that can be achieved through faith, support, and direction. One of the best books I've ever read.... Dr. Tucker touches every element of human emotion. I actually found myself wanting to hold Kate's hand during her soulful journey through the doors of escapism.”

M.T. Arnold – bestselling author, film producer, and president of FC Productions

House of Doors exposes the most-guarded secrets and stories of the rural south through the voice of Katie, a young girl trapped in a web of secret rituals and rites of passage. These stories play out in a nearly always patriarchal, “Good-Old-Boy” culture and follow Katie as she learns to cope and survive “love” that is expressed as control, manipulation, and abuse.

From her child’s voice, the reader understands more than Katie knows how to say. As an adolescent, Katelynn learns to cope with brutal truths; as she matures into adulthood, learning to cope with the dichotomy of revelations about “love” that assault her in flashbacks and night terrors.

Katie’s stories are viewed through changing lenses: female, sibling, victim, and Southern Rural; and the distorted lens of dissociative personalities--the Comforter, the Chastiser, and the Counselor.

The stories (gathered from interviews of survivors and expert informants, through doctoral research and reflection, and during therapy sessions and group discussions) have been creatively altered to protect identities. So, while the characters are fictionalized, the stories are based on the real experiences of countless females in the Rural South.

Perhaps you will understand what Katie is trying to tell. Perhaps you will understand that in every story or joke about a “kissing cousin” and “inbred retard” there is probably a victim—a victim without a voice.

House of Doors: Surviving Love in the Rural South, by PHD E Carolyn Tucker

  • Amazon Sales Rank: #706611 in Books
  • Published on: 2015-09-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .72" w x 5.98" l, 1.04 pounds
  • Binding: Paperback
  • 320 pages
House of Doors: Surviving Love in the Rural South, by PHD E Carolyn Tucker

Review "One of the best books I've ever read. Dr. Tucker touches every element of human emotion. I actually found myself wanting to hold Kate's hand during her soulful journey through the doors of escapism.... The House of Doors is a true masterpiece." -M.T. Arnold - bestselling author, film producer, and president of FC Productions "With no one to help her, Kate develops creative survival through a sort of suspended animation where segments of un-happy time simply disappear. House of Doors gives a rare glimpse into the seamier sides of rural culture with its twisted normalcy and open secrets. It is Kate's story. A story of abu-sive assaults relayed in detached, haunting narratives. Despite a harsh beginning, Kate becomes adaptive, resilient, and trans-cendent. You will cringe at her sense of normalcy and cele-brate her ability to overcome. Haunting in its descriptions, this book will hold you up to the surprise ending." -Tiffany Colter, award-winning author, editor, writing coach


House of Doors: Surviving Love in the Rural South, by PHD E Carolyn Tucker

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2 of 2 people found the following review helpful. Great writing----looking forward to the next one By Amazon Customer I have read and re-read House of Doors four times now. Every time, there is something else that jumps out at me and I see more depth to the entire story. Katie's saga is compelling as it develops, ripping into the hideous web of secret abuse that has existed in the rural south for such a long time that it has become an "accepted" behavior in many families who don't seem to realize or care how dysfunctional they really are. In this book, the repercussions of long-term childhood abuse, (whether physical, sexual, or psychological) are exposed for all the lasting harm that the victims endure. Great writing----looking forward to the next one,

1 of 1 people found the following review helpful. but worse one will be tormented with her as the young ... By Barbara Heintz E. Carolyn Tucker, Ph.D. a multi-degree professor at The University of Louisville has shown the courage to open doors through "The House Of Doors on the less bucolic and rolling green hills which make up so much of the land given the title of our nation's Bible Belt. I read straight through this courageous book where she shares long standing problems with child abuse as well as the word no one wishes to hear as something which happens, "Incest," the forbidden subject in the buckle of The Bible Belt. As a professor, she has learned the two states where the highest number of incest cases are reported are Kentucky and Tennessee. She manages to make her early memories of the bucolic back roads of her childhood and where they are living almost as a bohemian retreat, for this is post war and mid-century with amusing descriptions of her mother's decor in an ordinary Appalachian home. A little girl plays, and we meet Katie within her earliest years for this is a gifted child who will read before entering school, and on her own her games are very inventive as her imagination runs in a colorful stream of one precocious act after the other. Then we learn that cousins, Ronnie and Raymond have other kinds of play which involve their toys between her legs, but worse one will be tormented with her as the young male cousins think it's fun and the tears will not last long as they engage in, "The game," which will leave you chilled and we will see a little child feel she must inflict even worse hurt in the area for which the boys have special farm boy names.//We are meant to be shocked, for such play has been brought in to the American literature using terms like, "Kissing Cousins," which people use without giving one thought to it's meaning.//Katie, from beginning to the end of the book will have as her first concern her disabled sister, Joanne who was born with cerebral palsy, and one soon learns the fun mother at the beginning of the book has no inclination to protect her girls even though Milla becomes more confrontational with her husband James through out the book. Why does Milla not intervene, and why does, Maw Jewel, the Matriarch as Jame's mother's only conscience? Is it the Bible Belt tradition of women and children to be servants and to obey the men of the house, or, "The Good Ole' Boys," who claim higher status as the heads of households from the misreading of St. Paul's commend for wives to obey their husbands which is followed in scripture with; "Husbands love your wives as Christ loved his church? Is it pure isolation and the idea that any one coming in to family matters which on the back roads have developed this place for too long, because no one has the voice to speak the words, "Incest and Abuse," and we will know that Professor Tucker knows even more about these reasons that have been ignored in Southern Literature, for when you are valued as a woman in a book, then you are going to be cute, smart talkin', and having such a divine time which has a Julia Robert's like figure running from Daddy's big ole'' mansion getting ready for the weddin." Dr. E. Carolyn Taylor knows well that from the fields of cattle, beautiful horses, and roads which will lead you where it is not always easy to walk to the store; a time has come for the women and children of Bible Belt raising to know there is a safe place for them.// How can you, "Fall in love with a father?" Katie has so opened her heart as she grows on in to the high school girl and the young woman that you will see how an innocent daughter is used as a love object, for dialogue and how to deal with confrontation is too often held back when the pastor or a social worker tries to get involved.//Milla, the mother of Katie is, in my opinion, a hand held mirror of a woman who loses everything for lack of intervention. She is happy enough with her little babies, and she is willing to live on the least amount of money possible--But Dr. Tucker will take you from Milla's early marriage on in to a woman who cannot recognize herself.// This book is not a discourse on how to criticize the Mid Atlantic South and deface all of the wonderful little churches which dot the countryside. Usually the churches are the first places one would go for help, but the further from a center city one finds themselves, even the pastors may have grown up in the same communities, and they may have little training in counseling the young lovers or of helping men and women to understand that Christ love his church over all things, for the people--You and me; we are church.//I love this book, descriptions of a land I know well, and Dr. Tucker's gift of writing in dialect now and again all are part of what we raised there will take with us as we go. Few know the character it takes to bring up the most unspeakable language turned in to the reality of what people use as their funny computer jokes, for one can say so much about, "Good Ole Boys," and, "Hillbillies," but Dr. Tucker is one who is finally asking through her own legacy and the lives of others; "When are we going to start taking these issues seriously?" With the help of a real life's love in Lance, Katie will know another life--But I'm left desiring to do more and more for Appalachian women and children to help them to know what might have always been needs to be changed, and it might have to be within the schools where first teachers need training in recognizing these children who look as they feel--The weight of the world is on them, and the one who they might regard as a support person may be a demon in disguise. Barbara Everett Heintz, Writer, RN,BSN

1 of 1 people found the following review helpful. Finding voice through Katie eyes. By lynda Cartwright Harrison House of Doors is the voice of the voiceless. The Voice for all who were told to "NEVER TELL". The right of passage to the good ole boys club runs rampant in the rural south. Katie found her voice when she opened the door to her own rights of passage....the door that opened to truth, understanding, and ultimately freedom.

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House of Doors: Surviving Love in the Rural South, by PHD E Carolyn Tucker
House of Doors: Surviving Love in the Rural South, by PHD E Carolyn Tucker

Selasa, 08 Mei 2012

Heidi kann brauchen, was es gelernt hat (German Edition), by Johanna Spyri

Heidi kann brauchen, was es gelernt hat (German Edition), by Johanna Spyri

Just for you today! Discover your favourite e-book right here by downloading and install as well as getting the soft file of the book Heidi Kann Brauchen, Was Es Gelernt Hat (German Edition), By Johanna Spyri This is not your time to generally visit guide stores to get an e-book. Below, varieties of book Heidi Kann Brauchen, Was Es Gelernt Hat (German Edition), By Johanna Spyri and also collections are readily available to download. One of them is this Heidi Kann Brauchen, Was Es Gelernt Hat (German Edition), By Johanna Spyri as your recommended e-book. Obtaining this e-book Heidi Kann Brauchen, Was Es Gelernt Hat (German Edition), By Johanna Spyri by online in this site can be realized now by checking out the link page to download and install. It will be very easy. Why should be here?

Heidi kann brauchen, was es gelernt hat (German Edition), by Johanna Spyri

Heidi kann brauchen, was es gelernt hat (German Edition), by Johanna Spyri



Heidi kann brauchen, was es gelernt hat (German Edition), by Johanna Spyri

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Der zweite Heidi-Band. Neu aufgelegt! Mit wunderbaren Illustrationen von Maria Louise Kirk Heidi ist zurückgekehrt zum Alpöhi. Der ist darüber so froh, dass er nach Jahrzehnten zum ersten Mal wieder die Kirche im Dörfli aufsucht, worüber die Dorfbewohner erstaunt, aber erfreut sind. Er setzt sein Haus im Dörfli wieder instand, damit Heidi den Winter dort verbringen und die Schule besuchen kann. Dabei überzeugt Heidi den Geissenpeter, lesen zu lernen. Im folgenden Jahr hofft Heidi, dass Klara sie endlich besuchen kann. Klara darf tatsächlich im Sommer in die Hütte des Alpöhi hinauf. Ein Diener trägt sie auf einem Stuhl auf den Berg hinauf. Klara wird auf dem Heuboden einquartiert, auf dem Heidi so viele Jahre geschlafen hat. Peter ist wenig begeistert, dafür aber eifersüchtig, weil Klara nun Heidis Aufmerksamkeit beansprucht. Das führt dazu, dass er eines Tages Klaras Rollstuhl in die Tiefe rollen lässt.

Heidi kann brauchen, was es gelernt hat (German Edition), by Johanna Spyri

  • Published on: 2015-11-27
  • Original language: German
  • Number of items: 1
  • Dimensions: 8.50" h x .30" w x 5.50" l, .35 pounds
  • Binding: Paperback
  • 118 pages
Heidi kann brauchen, was es gelernt hat (German Edition), by Johanna Spyri

About the Author Johanna Spyri was a Swiss author of children s stories, best known for the classic coming-of-age tale Heidi: the Girl from the Alps. Spyri spent several summers in and around the mountainous area of Graub?nden as a child, and the Alps would serve as inspiration for much of her writing. Upon moving to Zurich with her husband, where she would remain for the rest of her life, Spyri published her first story, Ein Blatt auf Vronys Grab ( A Note on Vrony s Grave ), a gritty tale of a woman suffering from the abuse of her alcoholic husband. Yet it would be in children s writing that Spyri would truly make her markHeidi was published to great international acclaim in 1880, and has gone on to become one of the best-selling children s classics of all time. In 1884, both Spyri s husband and only child passed away, and Spyri devoted herself to charitable causes for the remainder of her life, writing fifty more stories before her own death in 1901.


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0 of 0 people found the following review helpful. Usually for children, but it's a nice story for adults, especially learning German By Mark from Haifa Part 2 of Heidi. It is usually read by children, but it's a nice story for adults, too. I enjoyed reading it not only for the story, but also to improve my German reading. It seemed to me that the vocabulary repeated a lot of the words I learned reading Heidi Part 1, so it was not hard for me, even though this is not a bilingual edition. (Heidi Part 1 is available on Kindle in a bilingual edition, but not Part 2.)

0 of 0 people found the following review helpful. So schön ist es! By vdB I did not read Heidi as a child (it was a "girl's book") but as part of relearning German I read it both in English and in German. It is a lovely story, certainly one that I will read to my grandchildren.

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Heidi kann brauchen, was es gelernt hat (German Edition), by Johanna Spyri

Heidi kann brauchen, was es gelernt hat (German Edition), by Johanna Spyri
Heidi kann brauchen, was es gelernt hat (German Edition), by Johanna Spyri

Sabtu, 05 Mei 2012

How the Codex was Found: A Narrative of two Visits to Sinai From Mrs. Lewis's Journals, 1892-1893,

How the Codex was Found: A Narrative of two Visits to Sinai From Mrs. Lewis's Journals, 1892-1893, by Margaret Dunlop Gibson, Agnes Smith Lewis

Considering that publication How The Codex Was Found: A Narrative Of Two Visits To Sinai From Mrs. Lewis's Journals, 1892-1893, By Margaret Dunlop Gibson, Agnes Smith Lewis has excellent perks to read, lots of people now grow to have reading practice. Supported by the established technology, nowadays, it is not hard to purchase the book How The Codex Was Found: A Narrative Of Two Visits To Sinai From Mrs. Lewis's Journals, 1892-1893, By Margaret Dunlop Gibson, Agnes Smith Lewis Also guide is not existed yet out there, you to look for in this site. As just what you could discover of this How The Codex Was Found: A Narrative Of Two Visits To Sinai From Mrs. Lewis's Journals, 1892-1893, By Margaret Dunlop Gibson, Agnes Smith Lewis It will truly relieve you to be the very first one reading this book How The Codex Was Found: A Narrative Of Two Visits To Sinai From Mrs. Lewis's Journals, 1892-1893, By Margaret Dunlop Gibson, Agnes Smith Lewis and also get the advantages.

How the Codex was Found: A Narrative of two Visits to Sinai From Mrs. Lewis's Journals, 1892-1893, by Margaret Dunlop Gibson, Agnes Smith Lewis

How the Codex was Found: A Narrative of two Visits to Sinai From Mrs. Lewis's Journals, 1892-1893, by Margaret Dunlop Gibson, Agnes Smith Lewis



How the Codex was Found: A Narrative of two Visits to Sinai From Mrs. Lewis's Journals, 1892-1893, by Margaret Dunlop Gibson, Agnes Smith Lewis

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

How the Codex was Found: A Narrative of two Visits to Sinai From Mrs. Lewis's Journals, 1892-1893, by Margaret Dunlop Gibson, Agnes Smith Lewis

  • Amazon Sales Rank: #7452447 in Books
  • Published on: 2015-11-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .44" w x 6.14" l, .88 pounds
  • Binding: Hardcover
  • 158 pages
How the Codex was Found: A Narrative of two Visits to Sinai From Mrs. Lewis's Journals, 1892-1893, by Margaret Dunlop Gibson, Agnes Smith Lewis


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2 of 2 people found the following review helpful. The bold adventures of twin sisters who simply ignored all obstacles. By Hadassah The twin ladies from Castlebrae inspire on so many levels. They pushed the envelope as females studying where they were expected not to, travelling without chaperones where strong men found the going dangerous, and making some of the most historically important ancient Biblical texts available for scholarly examination.

2 of 2 people found the following review helpful. Great Read By Anne Snyder What intrepid women and what an adventure. A definite must read for those interested in the discovery of early Christian documents and what you can do if you are determined enough.

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How the Codex was Found: A Narrative of two Visits to Sinai From Mrs. Lewis's Journals, 1892-1893, by Margaret Dunlop Gibson, Agnes Smith Lewis

How the Codex was Found: A Narrative of two Visits to Sinai From Mrs. Lewis's Journals, 1892-1893, by Margaret Dunlop Gibson, Agnes Smith Lewis
How the Codex was Found: A Narrative of two Visits to Sinai From Mrs. Lewis's Journals, 1892-1893, by Margaret Dunlop Gibson, Agnes Smith Lewis